When an ordinary woman retaliates, she has to marry a noble family, fight against a concubine, and eventually become a mistress, and even win a world in business. This kind of "female story", which usually happens in the back house of a merchant family or an official family, is a typical house fight.

Zhai Dou Wen is one of the most important types of female online novels, and its originator is considered as A Dream of Red Mansions. Based on the uniqueness of China’s ancient living arrangement and the system of concubines, the novel of house fighting is a novel type with China characteristics.

This kind of novels mainly describe the struggle between ancient official women in the mansion, including the struggle between wives and concubines, sisters, sisters-in-law, mother-in-law and so on. Although some of them will involve the struggle in court or riff-raff, the main story takes place in the mansion of the ancient official class.

Nowadays, with the deepening of the process of literature film and television, house fighting is no longer the self-admiration of minority readers. After the "palace fighting style" in the film and television drama market gradually waned, "house fighting drama" began to rise in the wind.

From "Do you know whether it should be green, fat, red and thin" at the end of 2018 (hereinafter referred to as "Know No") to "Heart as Jade" which is being broadcasted now, the response is good, especially "Know No", with 300,000 people scoring a high score of 7.8, and the "house fighting drama" adapted from the net text was brought into everyone’s field of vision by themselves, and it was seen by the audience and recognized by the market.

From "Know No" to "A Heart as Beautiful as Jade", we can see that house fighting drama has formed some unique adaptation strategies and temperament on the basis of house fighting literature, which has also deepened the audience’s impression of house fighting drama to some extent. It can be seen that the IP adaptation momentum of Zhai Dou has started, so whether it can set off a new wave of "big women" in the film and television market may need to be put in the long run, from the demand of the film and television market and the characteristics of Zhai Dou Wen itself.

Since the new century, "Gong Dou Opera", which portrays the image of the heroine, has occupied more than half of costume dramas. From Empresses in the Palace to Story of Yanxi Palace and Ruyi’s Royal Love in the Palace, every high-heat Gong Dou work has been broadcast and later talked about by people, and it has also become the object of many subsequent Gong Dou operas.

However, as the story of Gongdou is gradually similar, the role setting tends to be faceless, and the relationship between characters falls into the "Marisu" mode of "all men love me and all women hurt me", "Gongdou Drama" has caused audience fatigue, and with the tightening of policies, it has become a difficult problem for all film and television practitioners where the costume drama and even the heroine drama will go.

So a wave of works found the fulcrum of "sweet pet" and began mass production of small sweet dramas in ancient costumes; The other wave narrowed the "palace fight" and began to turn to "house fight". Facts have proved that these two roads are right.

Although in a strict sense, "house fight" and "palace fight" still can’t escape the cultivation routine of the matriarch, for example, "Know No" tells a story of a young Buddhist girl growing up to be a mature and steady wise matriarch, but there are still essential differences and advantages between house fight drama and Empresses in the Palace’s other matriarch drama, and the audience is unfamiliar, novel and can resonate to some extent with the story world and elements presented by house fight drama.

In the eyes of pengxx01 and IP-Valuer, the characteristics and attractions of house fighting drama are as follows:

1. Family ties under "family culture" are more empathetic.

Compared with Gongdou Opera, the biggest difference of House Fighting Opera is that it places the location of the story in the home of a merchant family or an official family from the high wall in the backyard of a deep palace, and the different background settings also change the temperament and core of the story.

Because of the special scope of the protagonist’s activities, there is always a kind of "family ties" between the story characters of the house fighting drama, which leads to clues such as love, family ties and friendship, and the struggle between them is relatively mild, which rarely involves life and death.

In the thousands of years’ cultural inheritance of the Chinese nation, the ethical concept and collective consciousness in "family culture" are deeply imprinted in every Chinese’s heart. The film and television works from the perspective of family relations can always arouse the audience’s resonance and set off a wave of watching.

In Know No, the grandmother’s family is the eldest, and the children are different. How the protagonist handles the relationship between sisters and housewives, and how the father handles the relationship with his wife, concubine and children are all highlights, which are also the contradictions and conflicts in the drama. It can be said that in addition to "fighting", this kind of "emotional fetter" between relatives is the emotional tie of the audience.

In Jin Xin Si Yu, the short daily life of Xu Jia and his in-laws also contains the wisdom accumulation and simple philosophy of "family culture" in China traditional culture.

Most of the house fightsExpand around family ties, mixed in the struggle, it is both rare and memorable, which also brings us a little warmth and freshness after watching more hypocritical and vicious people set up palace dramas.

2. The temperament of "farming" leaves room for showing the whole picture of ancient life.

Judging from the house-fighting essays themselves, most of them have the temperament of "farming essays". The so-called farming essays, also known as short essays on parents, mainly describe the trivial things of small people’s parents, and pay more attention to highlighting details and psychological descriptions of characters.

In the process of film and television, this type of works can make contradictions and conflicts appear relaxed, have enough space to spread their feelings, complete the narrative, and be more pyrotechnic."Do you know" restores the life of the official family in the Song Dynasty in detail. For example, Mrs. Sheng invited the mother in the palace to teach the girl in the Sheng family the skills of "ordering tea, arranging flowers, burning incense and hanging pictures" to let the audience know the life interest of the official family in the Song Dynasty. In addition, etiquette details such as throwing a pot, taking a levy, betrothal gifts, throwing tiles to send spirits, etc. are also interspersed in the plot, showing rich ancient life customs.

The detailed description of ancient life, work and rest gives more room for film and television dramas to play, and it can also be self-contained because of its exquisite service.In the design of costume props for characters, Know No restores the style of the Song Dynasty as much as possible. No matter all kinds of clothes, architectural styles and indoor furnishings, they are simple without losing their beauty and full of fireworks. The story background of Jin Xin Si Yu is set in the Ming Dynasty, and the costumes, architecture and etiquette of the Ming Dynasty are also presented in a very elegant way, which forms a different aesthetic style of this work.

Some people may ask, are there really so many parents who like to watch it? The answer is yes.

Modern society is under great pressure, so many people gradually tend to be relaxed, happy and warm in their choice of novels and dramas, so as to release pressure and relax their nerves. At this time, the house fight drama series with farming temperament can just meet these needs. In the works, the life in Mi Chong, which most people can’t get in real life, is more enviable and yearning.

3, don’t take emotion as the first priority, "independent consciousness" runs through.

In the portrayal of female images, house fighting drama is also different from Mary Su Ju, represented by Empresses in the Palace’s treading on thin ice. In the ancient background of Mary Su Ju, love is the first motive force of the protagonist’s action, and the continuous success of the hostess is driven by love. The hostess is desperate for the man she loves and the love she values, even if she is only one of the wives.

However, in many novels of house fighting, the common women are the leading role, such as Raiders of Common Women, Do you know whether it should be green, fat, red and thin, It’s hard to do what you want, and The Survival Manual of Common Women, etc.They explicitly abandoned the view of "desperate for love" and thought that only by working hard and creating social value can women gain the respect and recognition of relatively equal in marriage.Therefore, in the film version of Know No, we see that Ming Lan once treated his own officials as an "owner" after marrying Gu Tingye. In Jin Xin Si Yu, we see that the wife needs to be in charge of the feedback and manage the finance, and take this as a symbol of status and real power.

Of course, the woman who combines intelligence and intelligence will eventually get the favor and love of the man, and even become the "only" of the man.However, house-fighting dramas show women’s career management and enterprising in a large space, and begin to emphasize the role of having a job in maintaining peace and happiness in marriage. Women need to have their own careers in order to maintain their dignity, which coincides with the independent consciousness of women in their feelings at present.

It can be seen that although there are not many works on the line and put on record at present, the house fighting drama still has market and potential. Of course, this also depends on the mature and accurate IP adaptation method and the escort of production, in order to produce works like "Know No". Based on this, Cook Xiaoxian and IP Value Officer recommend several IP works with adaptation potential for everyone.

Hou Fu has a daughter to be married

Author: Sakura Tong

Type of work: ancient costume romance

Keywords: family feud, inspirational

Word count: 850,000.

Benchmarking work: Do you know whether it should be green, fat, red and thin?

Work status: finished

Suggested adaptation: TV series

Synopsis of story:

Xie Chang ‘an, the second daughter of Rong ‘an Houfu, grew up with her grandmother in Fujian ancestral home, but because Xie Changning, the first sister who had an engagement, eloped with someone, she was forced to disguise herself as Xie Changning to replace the marriage.

Xiao Yu, a loyal son of Wangfu, should have unlimited scenery, but he is a fool with only a child’s mind.

An accident, let two people meet, Xie Changan also don’t know why, clearly he has become the appearance of Xie Changning, but he can always be recognized at a glance. Chang ‘an Chang ‘an, this name, even only Xiao Yucai will remember it in the future.

Just as Chang-an Xie was going to marry Prince Yan in the capacity of Chang-ning Xie, a crazy woman dressed in rags suddenly broke into the house, claiming to be a big miss Hou Fu and seemingly calm Rong ‘an Hou Fu, but in fact the tide was surging. ……

Biography of characters:

Xie Changan (female host):The second daughter of Rong ‘an Houfu, grew up with her grandmother in Fujian ancestral home, because her first sister Xie Changning eloped with someone and was recalled to Beijing, so she was allowed to take her place in marriage. Rational personality, decisive, uncompromising, martial arts, especially good at using swords, but not good at playing the piano and chess, strict with the servants, clear rewards and punishments, but a little soft-hearted in front of relatives.

Xiao Yu (male):The first son of the loyal prince, who was clever as ice and snow when he was young, was pushed off the rockery because of his extraordinary intelligence, and has been a child’s mind ever since. She is kind and innocent, naive but stubborn, and likes Xie Changan wholeheartedly. No matter what she becomes, she can be recognized at a glance. Later, he regained his sanity and became dark and affectionate after learning that Xie Changan really wanted to marry him.

Recommended reason:

1. The story of the novel is full of ups and downs, conflicts are constant and interesting.

The plot of the whole work is smooth, the plot development is logical, and the contradictions and conflicts are set reasonably, which has a good adaptation foundation. The novel takes the growth and love of the heroine Xie Chang ‘an as the main story line, and she is forbearing and unyielding in the face of an eccentric mother and a strong father. After being forced to change her face, her inner struggle and hatred; After being attracted by the object of marriage, she began to get lost again and was willing to live as "Xie Changning". However, when she found that no matter what she became, there was always someone who could recognize "Xie Changan", she finally found herself and recognized the reality.

2. The relationship between people is complex, and people have their own labels, which is highly recognizable.

Two sisters with the same face, one is heroic and spirited, and the other is feminine and gentle. Although their words and deeds can be imitated, the personality engraved in their bones will still be unconsciously revealed. In addition, the foolish and innocent male host in the early stage recovered his sanity and deep affection in the later stage, and brought his own setting that he could always recognize the female host at a glance regardless of her appearance; The second man has always maintained the posture of a handsome boy, and he is obsessed with the person he loves. Regardless of the past, he only wants to accompany her for life.

Through the emotional entanglements and family feuds between the four people, it shows the internal life of the ancient official family.

The promotion of ordinary women

Type: overhead, house fight, romance, sweet pet

Keynote: drama, relaxation,

Words in the full text: about 1.2 million.

Synopsis of story:

Cause:As a modern white-collar woman, Qin Si was inexplicably reborn in ancient times and became Shen Qingrong, the illegitimate daughter of the civil servant Shen Zejing. As soon as she was born, her mother died in childbirth, and soon the master and father of Fannie and Freddie passed away one after another. Privately, it was passed down as Sang Men Star by the servant, and it was gradually rejected by his father Shen Zejing. In just two years after crossing, I have tasted the warmth and coldness of the world. Shen Qingrong gradually adapted to the ancient life and began to plan the future development.

Development:Grandfather’s sister, nominally great-aunt, was given the gift of the emperor to leave the palace. My aunt has been in the palace for a long time, and her knees are empty. Shen Qingrong got this opportunity to become the granddaughter of Mrs. Gu, and finally lived a day when she no longer looked up and looked at people.

Turning point:Because of the palace fight, Mrs. Gu was involved in the dispute between the queen and the imperial concubine. The imperial concubine got in the way and wanted to marry Shen Qingrong to the state of Wei. After knowing Shen Qingrong’s life experience, Song Zhao also contributed to it. Shen Qingrong’s original marriage was abandoned because of an imperial edict. Involved in the dispute between the emperor and the queen, became a chess piece.

High tide:The emperor was fatuous and repeatedly attacked the Song Zhao family, provoking the Wei government to fight among itself. Seeing all this clearly, Shen Qingrong pretended to be crazy, dressed as a pig to eat tiger, while dealing with the intrigue and calculation of the three rooms in the face of the infighting between Mrs. Song Zhao and his concubines. Song Zhao became more and more popular with shenqing, and gradually gave birth to love. Shen Qingrong and Song Zhao, together, resolved the difficulties of the Apocalypse Emperor and helped Xiao Che, the son of the Queen, ascend to the throne. A palace change almost made two people experience life and death.

End:After three dynasties, Song Zhaogong retired and returned to Jinan with Shen Qingrong to live safely.

Biography of characters:

Lady-Shen Qingrong (Qin Si)

Character background: Modern white-collar workers inexplicably crossed into ancient times and became a little transparent and unloved official concubine. Before crossing, they did human resources work and liked to make goals and plans. After crossing, she quickly adapted to her new identity, and did not plan a road for her to be promoted according to her current situation. Cleverly get along with my sisters and cousins at home, and successfully join my aunt who has returned to her hometown, and get promoted steadily.

Character: Self-respect and self-love have a bottom line, smart and have a look, calm and rational, can afford to let go, and love and hate are clear. A little timid and slow.

Male host-Song Zhao

Character background: the eldest grandson of the Song family of Wei Guogong, the first military commander of Daliang. The family has gradually declined after three dynasties. In the twenty-second year of Zhengde, after the Song family assisted Xiao Shao in eliminating the demon, in exchange, the daughter of the Song family became the queen. After the emperor ascended the throne, he was afraid that the Song family would tear it apart with title and real power, which caused constant internal disputes in the Song family. The future of the Song family rests entirely on Song Zhao.

Character: Since childhood, he is kind and gentle, determined and courageous, likes reading, and has an excellent mind and never forgets anything. But as an adult, he became a mean, critical, womanly and enterprising dude. The dual split character of one foot in heaven and one foot in hell seems to be invisible through the fog. In fact, they are all keeping a low profile and working hard all the time.

Da Song Xiao Zhai Men

Title of the work: The Small House Gate in the Great Song Dynasty

Keywords:: ancient costume healing house fight company

Author: Shi Yin

Words: 270,000

About the author:

Shi Yin, member of Jiangsu Writers Association, signing writer of Jiangsu Writers Association and vice chairman of Suqian Writers Association.

Representative works: She has published novels Princess Buyi, Nine Copies, Maid’s Plan and Yipin Nvxiang, and won the first Jinding Literature and Art Award in Suqian. The Secret Records of Chang ‘an was adapted into a comic novel and won the third golden league Excellence Award of Mo Tie. The film and television copyright of the novel Fighting Girl with the theme of modern sports transformation has been hatched and adapted into a comic book.

Synopsis of story:

Shen Xun, the first son of Shenfu, was a prodigy, and he became famous as a teenager. Unfortunately, eight years ago, the incident in Shenfu (the woman was the daughter of the general of Nianfu) made his legs unable to walk, and a generation of favored children fell from then on. And eight years ago, the daughter of the General Nian, who had an engagement with him, cherished jade in Nian, and became an official slave because of the change of Nian government. Shen Xun went to great lengths to save her, connected Xiyu to the government, changed her name to Su Jin, and became a close-fitting girl. Su Jin also wanted to cure Shen Xun’s legs because Shen Xun’s legs were scrapped because of the government incident in 2006.

But Shen Xun’s legs were poisoned, and there is no good medicine in the world. Su Jin is good at medical skills and wants to fight poison with poison, so she goes to the old lady in Shenfu every month to ask for some exotic medicinal materials. The old lady in Shenfu was repeatedly stirred up by He Zhong Ling (daughter of He Shangshu), the wife of Shen Wenxuan, the adopted eldest son of Shenyang, and was repeatedly saved by Shen Xun. Unfortunately, an accident, the old lady lynched Su Jin after all, but she was saved by Shen Xun’s best friend He Yanmei. And Shen Xun finally agreed to the emperor’s request to re-enter the DPRK as an official in order to protect Sujin, and Sujin was married by the emperor. Shen Xun’s leg was cured by Su Jin, but Su Jin never saw him again.

　On the day of Su Jin’s wedding, Shen Xun had planned it long ago. Li Daitao was so stiff that he changed Su Jin, remained anonymous, and took Su Jin away from the rivers and lakes to be a pair of idle mandarin ducks.

Biography of characters:

Shen Xun (male):A favored son of heaven, he was a brilliant young man, but because of an accident, his legs were abolished, so he closed himself at home and tried to protect her after her accident. Although the female host is a handmaid, he dotes on her from beginning to end and wants to protect her until she dies. Later, in order to protect the hostess, she re-entered the DPRK as an official and promised not to see her again. Her legs were cured by the hostess, pretending not to see her on the surface, but planning to take her to the Jianghu behind her back.

Su Jin:The daughter of the general in 2000 cherished jade, was smart and exquisite, and loved Shen Xun wholeheartedly. Because of the family incident in 2000, she was demoted to an official slave. After being saved by Shen Xun, he just wanted to cure his leg, so he was made difficult by the old lady Shen Fu, He Zhong Ling and others, and almost died. Later, he was married to He Yanmei by the emperor, but Shen Xun secretly planned to take her away from home.

He Yanmei:Shen Xun’s best friend, the grandson of He Ge, the assistant minister of the dynasty, was brilliant and unruly. Although ups and downs in the whirlpool of power, there is still a beloved person in my heart, even if the beloved person is a prostitute. He had a good relationship with Shen Xun and solved a lot of troubles for Shen Xun.

Advantages of adaptation:

1. I wish to win one heart, and the white head is not separated, and the single-minded love is warm and cured.

Different from many costume romance dramas and house fighting dramas, the male host of "Da Song Xiao Zhai Men" has only one female host in his heart from beginning to end. There is no deliberately arranged emotional third party, and there is no deliberately set misunderstanding and estrangement between the two. In the story, the male host has always been in the same mind, and the male host indulges the female host, and the female host also firmly pays for the male host. It is a story of mutual recognition and mutual protection. Although the plot twists and turns, it is very warm and healing.

2. Use the most relaxed words to describe the undercurrent in the house.

There is not only a thin love line in the story, but also a very detailed expression in the direction of family struggle for power, including the change of the government in the year, the ousting of He Shangshu, the regaining of Shen family’s favor, and the marriage of He Liu, all of which string up the undercurrent of the previous dynasty, with both men fighting for each other and women’s overt and covert arrows. This is a story that conveys the truth of treating everyone like cooking a little fresh food.

3. The fleshy characters are real and three-dimensional.

Shen Xun, the hero of the story, is a favored son of heaven, but at the most glorious time, his legs were disabled, so he had to stay at home. He was full of talent, but he could only stop at the mansion, but he didn’t give up on himself, and he remained a gentleman like jade.

Su Jin, the hostess, was originally the general’s daughter, but after she became a handmaid, she didn’t belittle herself. She advanced and retreated properly, and there was still light in her heart.

Farmer’s sweet wife

Farmer’s sweet wife

Title of the work: Peasant Little Sweet Wife

Keywords: ancient costume, peasant marriage, family business

Author: Yuan Yiyi

Words: 2.63 million

The author introduces:

Yuan Yiyi, a full-time post-80s writer who loves fantasy, has a mature style and delicate brushwork.

He is good at creating fantasy and farming, and is good at creating tense plots by paving the way. The story is ups and downs, the characters are full and tense, and the sense of substitution is very strong. Masterpiece: "Farmer’s Little Sweet Wife: My belly is black, and I don’t stop loving you".

Synopsis of story:

Xue Shuangshuang crossed to the peasant girl in the second room of Xue Family in Baixi Village. There are honest father, cowardly mother, little brother Xiao Douding and a bunch of best relatives at home. In order to "xianggong" children hot kang, Xue Shuangshuang spelled it.

Biography of characters:

Xue Shuangshuang:She has a correct outlook on life, values and world outlook, and leads her family to make a fortune with the help of the knowledge of past lives. She is kind but not weak, shows no mercy to the enemy, guards her family and gains beautiful love.

Jiang Zhan (Lin Bai):Houfu Dizi accidentally lived in a small mountain village, and was branded as hard-working and punishing others. He lived alone in a cave, and the villagers avoided it. He has a clear sense of love and hate, always adheres to his own code of conduct, is willing to be kind to others, and will never compromise with the wicked. Finally, he finds his biological parents and starts a happy and beautiful new life with his mistress.

Highlight analysis:

1, the rhythm is bright, the plot is full, and it is relaxed and humorous.

Describing the plot with a joyful atmosphere, with a strong sense of daily life, revealing the fate of the characters and their life experiences is extremely dramatic and gives people a strong sense of impact.

2, the person set is distinct and prominent, which is very iconic and recognizable.

Create characters in a simple and direct way, and the characteristics of characters are highly labeled. Ingeniously transforming the public slots into characters can arouse strong resonance among the audience and strive to become the next hot spot after Fan Ma Su Ma Xu Huan Mountain.

3. The main line is clear and concise, and the plot is reversed with suspense to attract the audience’s enthusiasm for drama.

Based on the marriage and family life of a young couple with "bad style", through two scenes of outsiders’ eyes and real days, a light comedy will be performed, even if it is drowned by cold-eyed ridicule, it will be turned over and hit hard by its own efforts.

4, strong sense of daily life, showing the positive, diligent and sunny attitude of little people.

From the perspective of the hard-working little life of farmers, focusing on the shortcomings of parents, it depicts a warm image of smoke curling up and fireworks on earth.

The doctor’s first daughter

Type: Crossing, Antique, Suspense

Published: novels, comics

Status: The novel is finished and the comic has been serialized to the 55th sentence.

Direction: TV series and online drama.

About the author:

Yang XVI, who used the pen name Yang Jiani. Start the serial career of online novels with two qing wear novels, Yong and Gan, and squeeze the height of online writers with three series of "Special Agent Imperial Princess". Readers call it "writing a fight is accurate and magnificent; Write that love is beautiful, moving and penetrating. "

Synopsis of story:

In the 21st century, Feng Yuheng, a master of both Chinese and Western medicine and a special medical officer in the marine forces, and duang crossed into the first daughter of Feng family in Dashun Dynasty. But my father doesn’t kiss me, my grandmother doesn’t love me, my mother is weak, my younger brother is young, and my sisters are more ruthless than each other. Through rebirth, I can never be as timid as the original owner! Fight me? A whip makes you look for teeth everywhere! Fight me? A scalpel cuts you to pieces! Playing dirty? A needle goes down and stabs you! Kill me? Scratch your heart with one paw! The weak woman who can be bullied by everyone turned into a beacon of Dashun Dynasty, opened a hospital with the emperor, and won all the people’s hearts and wealth in the world, but what about the engagement of the damn prince? And this crippled face. What did you say?

Biography of characters:

Feng Yuheng (female host):In the 21st century, he is a special medical officer in the marine forces, proficient in Chinese and Western medicine, martial arts and archery. Once she crossed, she became the second young lady of Dashun’s Zuoxiangfu. Her temperament is calm and calm, her face is delicate and pleasant, and her eyes are deep and smart, just like those of an ancient well.

She is straightforward, never dragging her feet, being kind to others, taking revenge, and never being stingy with retaliation against the enemy. Not only did it raise the prestige of the Phoenix House, but it also set up its own army, and joined hands with the male master to fight the world, and partnered with the emperor to open yiguang, so as to soothe the hearts of the people and win all the money in the world.

Xuan Tianming (male):Nine princes, royal kings and Zhenyuan generals in Dashun Dynasty. Being framed and injured in both legs and appearance, he spent a long time in a wheelchair and wearing a gold mask. After that, it gradually improved under the treatment of Feng Yuheng.

He met Feng Yu-hang in the mountains and fell in love at first sight. In others’ eyes, the mysterious banquet of the devil is absolutely popular with Feng Yu-hang, and his daughter-in-law is always right. Even if it is wrong, it is someone else’s fault. Whoever dares to mess with my daughter-in-law, I’ll play hard with anyone, and you won’t be able to find it with a whip.

Advantages of adaptation:

1. The First Daughter of the Imperial Doctor integrates elements such as crossing, house fighting, palace fighting, female strength, fantasy and romance. Crossing has always been hot, and palace fighting and strong women are popular at present. I believe that "The Doctor’s Maid" composed of these elements will win the favor of the audience.

2, "The Doctor’s First Daughter" is a classic work of Yang Sixteen, with precise fighting, great momentum, beautiful and touching love.

3, "The Doctor’s Maid" is exciting in the whole process, and the man is fond of the woman in the end. Good people are absolutely good, bad people are absolutely bad, good ends well, and evil has consequences. It can be called a decompression artifact for young women.

4. The heroine in The Doctor’s Maid is frank, kind, rational and capable, and spreads positive energy.

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　　Cctv news(Focus interview): The Central Economic Work Conference pointed out that scientific and technological innovation should be used to promote industrial innovation, especially subversive technology and cutting-edge technology to promote new industries, new models, new kinetic energy and develop new quality productivity. We must vigorously promote new industrialization, develop the digital economy, accelerate the development of artificial intelligence, and build a number of strategic emerging industries such as bio-manufacturing, commercial aerospace, and low-altitude economy. From today (January 23), Focus Interview launched a series of reports on "Developing New Quality Productivity". Today, let’s get to know the low-altitude economy first. This word sounds a bit strange, and the first thing that many people may think of is drone delivery. Of course, the low-altitude economy doesn’t stop there. New concepts such as "air taxi", "low-altitude tourism" and "air car" all belong to low-altitude economy. So, how to define low-altitude economy? What new opportunities are there in it? How will it affect our lives?

　　In Shenzhen Talent Park, a drone landed above the take-out cabinet, and the take-out was put into the cabinet through the precise positioning system, and the customers took it themselves. This novel way of delivering food also attracted passing tourists to place orders.

　　In Yantian District, Shenzhen, a new type of low-altitude unmanned aerial vehicle has just obtained the airworthiness certificate of the world’s first electric vertical take-off and landing aircraft. It slowly flew 80 meters into the sky with a passenger, and achieved low-altitude integrated flight with a helicopter for the first time.

　　Low-altitude aircraft once existed only in science fiction movies, and now it is gradually entering our lives, especially at the end of last year, the central government clearly decided to build a number of strategic emerging industries such as low-altitude economy. As a representative of new quality productivity, low-altitude economy has become an important direction to cultivate and develop new kinetic energy.

　　Lu Renli, Director of Navigation Department of China Civil Aviation Management Cadre College, said: "Is the land bigger or the ocean bigger? The actual answer is that the sky is the largest. Urban land resources are already on the horizon. If the airspace resources below 3,000 meters or even below 1,000 meters are fully utilized, this dividend is huge. "

　　The so-called low-altitude economy generally refers to a comprehensive economic form driven by all kinds of low-altitude flight activities of manned and unmanned aircraft and driven by radiation, which can empower thousands of industries, become a new important engine of economic growth, and form a market of at least one trillion level. So, what is the current situation of China’s low-altitude economic development? What are the advantages? In Shenzhen, the reporter visited a number of enterprises.

　　On the second platform of DJI Innovation Technology Co., Ltd., the latest equipment is being debugged. Workers operate on computers thousands of miles away, and the "unmanned airport" can complete a series of work. What we need to debug now is the ability to patrol in high-rise buildings. It needs to go around the building and take a patrol photo at every corner. Now, the maximum load of drones for pesticide spraying can reach 60 kg.

　　Zhang Xiaonan, Senior Corporate Strategy Director of DJI, said: "We have probably moved four or five times in Shenzhen, but all of them are within the scope of Shenzhen. At the earliest, it benefited from the support and improvement of the Shenzhen industrial chain. Later, the industrial chain of consumer electronics in the entire Pearl River Delta region was complete, and 80% could be completed in the Pearl River Delta. "

　　Low-altitude economy has a long upstream and downstream industrial chain. Taking low-altitude manufacturing as an example, it covers core components and raw materials such as chips, composite materials, connectors and sensors. At present, it is a new field for major economies in the world to compete for, and the completeness of industrial chain also brings agglomeration effect. More and more world-renowned enterprises choose to settle in Shenzhen.

　　At present, China has formed a relatively complete low-altitude economic industrial chain. Take Shenzhen as an example. As the capital of drones, by the end of 2023, more than 1,700 drone companies had gathered, with an annual output value of 96 billion yuan.

　　Lu Wenpeng, Deputy Secretary-General of Shenzhen Municipal Committee and Director of Policy Research Office of Shenzhen Municipal Committee: "After years of layout planning and continuous promotion, we have accumulated some obvious first-Mover advantages. The low-altitude economic head enterprises gather, the industry and market scale are large, and more importantly, the advantages of supporting industrial policies are formed. "

　　With the improvement of industrial chain, the gathering of scientific research teams and talents, more and more application scenarios have emerged, which has brought about great development of thousands of industries. At a drone transfer station in Baoan District, Shenzhen, more than a dozen planes are on standby, queuing to take off.

　　When the "No.8315" plane began to deliver goods, the flight status also appeared on the big screen of the monitoring room in real time, and the staff paid close attention to its flight status. What kind of delivery trip is this? The reporter went to the destination of the plane by bus, and it landed on the five-story platform of an industrial park. It took the reporter about 16 minutes by bus, but it took less than 8 minutes for the plane to fly. The staff told reporters that the speed advantage is more obvious when the ground traffic is busy.

　　Generally speaking, the average courier delivers about 150 orders a day, while a drone controller can fly 60 times a day, and the delivery volume is about 500 orders. For those who need to travel between cities in Greater Bay Area for business, it takes 15 minutes to reach Zhuhai and half an hour to reach downtown Guangzhou by helicopter.

　　In terms of agricultural production, drones have been used to transport fresh Tricholoma matsutake in western China. Originally, it took one to two hours to manually carry it down the mountain, and drones only took 15 minutes to half an hour. In some remote areas, regional drones have been used instead of manually setting up stations to do all kinds of work.

　　In recent years, the low-altitude economy has spawned a series of consumption scenarios. Logistics drones have solved the "last mile" of distribution, and "air taxis" have created a new way of urban transportation. China’s agricultural drones are spread all over six continents, covering more than 100 countries, and can carry out a series of work such as sowing, spraying and transportation. With the increasing number of application scenarios, the imagination space brought by low-altitude economy is also growing.

　　According to professional analysis, the future of low-altitude economy contains infinite possibilities. Low-altitude economy can not only build a transportation system, but also an industrial system. The emergence of more and more application scenarios will also extend a brand-new industrial chain. High-tech technologies such as digital technology, intelligent technology and digital twin technology can all make great achievements in low-altitude industries.

　　Lu Renli: "How to develop low-altitude airspace efficiently and orderly is an area that no predecessors can learn from. It is a huge challenge to develop a complete technical system and operating rules."

　　For the Shenzhen Transportation Bureau, a huge intelligent convergence infrastructure construction has been put on the agenda.

　　Li Shipeng, Executive Dean of Low-altitude Economy Branch of Guangdong-Hong Kong-Macao Greater Bay Area Digital Economy Research Institute: "With the development of low-altitude economy, the flight frequency and density are increasing. There must be a system to let everyone know where each other’s aircraft are and better plan flight routes."

　　The basic information of flight equipment, flight altitude and speed are recorded in the system. In the future, more functions will be developed and connected to all relevant units, so that unified management can be carried out through the digital system.

　　Low-altitude infrastructure construction has a broad prospect. Shenzhen alone needs an investment scale of 10 billion yuan, so it is estimated that the national low-altitude economic infrastructure investment will be trillion-scale. This work is related to low-altitude communication, navigation, positioning, meteorology, maps and other fields, involving multiple departments, how to coordinate?

　　Zhang Zhifeng, member of the Party Committee and Deputy Director of Shenzhen Municipal Transportation Bureau, said: "Work together to establish a mechanism for consultation and consultation. There will inevitably be differences of opinion in the middle, because there is no ready-made standard. At this time, we will go to the enterprise to listen to what ideas and demands the enterprise has. During the collision, everyone will unify the cooperative operation plan. "

　　Not only infrastructure construction, how to provide flight services, promote the innovative development of industrial applications, and how to manage airspace safety, but also many departments will be involved in the promotion of each work. In the "Several Measures to Support High-quality Development of Low-altitude Economy in Shenzhen", almost every project involves more than three departments.

　　This year, the country’s first special regulation on promoting low-altitude economic industries — — The Regulations on the Promotion of Low-altitude Economy and Industry in Shenzhen Special Economic Zone will be implemented soon. More than 6,800 words in the full text mentioned a key word — — "coordination"

　　Lu Wenpeng: "Promote and guarantee low-altitude economic development in the form of local legislation. We have a good grasp of the system and mechanism ‘ Establish first and then break ’ The job requirements, through the reform methods and paths, form and release new quality productivity, open up new tracks, and enhance new kinetic energy for high-quality development. "

　　In the form of legislation, Shenzhen has defined the coordination mechanism of low-altitude economic and industrial development and clarified the rights and responsibilities between various departments. Including this, a series of reform measures to break down institutional and institutional obstacles for the development of new quality productive forces have been promoted nationwide by seven ministries and commissions including the National Development and Reform Commission.

　　Nationwide, more than a dozen provinces have written low-altitude economy, general aviation and other related contents into government work reports. Hainan Province recently released the first airspace map of provincial unmanned aerial vehicle flight test; Guangzhou’s navigation enterprises won the world’s first unmanned manned aircraft system type certificate; Anhui Province has just planned the rudiment of general aviation "one-hour commuting circle" centered on Hefei.

　　Lv Renli: "The low-altitude economy is on the right track, and it needs local governments to put forward the development direction and solve the practical problems in the actual production demand operation. It needs to combine all aspects of research and development capabilities, manufacturing capabilities and enterprise innovation capabilities. Once it is deeply applied in a city, it can quickly copy the whole system to various cities and fully scale our new quality productivity."

　　Low-altitude economy is becoming a "new track" for more and more cities to compete. Take drones as an example. In 2023, the scale of China’s civil drone industry exceeded 120 billion yuan, ranking first in the world. It is estimated that by 2025, this number will exceed 200 billion yuan. In the future, the application scenarios of low-altitude economy will be more and more diverse. General airports, aviation parks, aviation towns, drone bases, flight camps, etc. will be dotted, and our sky will be busier. Of course, we should also see that as a new productive force, there will be many new problems in the process of low-altitude economic development, which need us to solve with new technologies, coordinate with new mechanisms, support with new policies and standardize with new rules. Starting from the "new", fully stimulate the potential of low-altitude economy, so that low-altitude economy can fly well and far.

　　China Overseas Chinese Network March 8th According to Indonesia’s "International Daily" report, from March 7th, 2022, international tourists from many countries will enter Indonesia through the airport gates and ports in Bali, no longer need to be quarantined, and will be allowed to apply for a visa on arrival (VOA). The government has also cancelled the requirement for a guarantor to apply for an electronic visa for travel. However, the government still requires visiting international tourists to purchase health insurance covering COVID-19 according to applicable regulations.

　　Shan Diaca, Minister of Tourism and Creative Economy, announced in Jakarta on March 7th that after the co-ordination meeting of all relevant departments and units, all parties agreed to test the above-mentioned measures for allowing international tourists to apply for visa on arrival and entry without quarantine in Bali in advance. The list of foreign citizens who are allowed to enter the country according to the regulations is as follows: Australia, the United States, New Zealand, Britain, Germany, the Netherlands, France, Qatar, Japan, South Korea, Canada, Italy, Turkey, United Arab Emirates and Italy.

　　Iwawan Koser, governor of Bali, said that the decision was made at the coordination meeting held on March 4th, attended by the ministers of maritime affairs and investment coordination, health, creative economy and tourism, transportation, justice and human rights, foreign affairs, chairman of COVID-19 and the national disaster relief working group, coordinator of the COVID-19 working group, governor of Bali, commander of the ninth military region in Na, Udaja, police chief of Bali and tourism entrepreneurs.

　　On March 4th, Gosul said that after listening to the opinions and support of the participants on the experiment of implementing the new policy for foreign tourists, the segregation policy was cancelled, allowing international tourists to apply for visas on arrival, but they still had to abide by the health agreement. These conditions include the obligation to complete vaccination and booster before departure, negative PCR swab test, and having proof of payment to book a trip to Bali Hotel for at least 4 days. If the PCR test result is negative, tourists are allowed to go to all tourist destinations, but if COVID-19 is positive, they must be quarantined in the hotel. Especially for positive cases and elderly tourists, hospitalization will be arranged immediately and PCR swab test will be conducted on the third day. If the result is negative, you are allowed to travel in Bali.

　　Gosul emphasized that, according to the instructions of the minister, Bali is committed to accelerating the vaccination of intensified vaccines and striving to achieve the minimum target of 30% by March 7, 2022. Government ministries and commissions have made full preparations for the implementation of non-isolation measures and visas on arrival in Bali. (Liang Jian)

A few days ago, a card friend claimed that he was stopped at a toll station in Henan Province without an ID card. Please review https://www.360che.com/law/231024/185124.html for details. This matter has attracted the attention of many card friends. What documents do I need to check to take the green link? Do I have to have an ID card? Can’t I have other documents? Who has the authority to check the ID card? Can the toll booth staff check it? This article will take a look!

At present, the official documents have clear requirements for fresh agricultural products. According to the Notice of the Ministry of Transport, the National Development and Reform Commission and the Ministry of Finance on Further Optimizing the "Green Passage" Policy of Fresh Agricultural Products Transportation, fresh agricultural products on the expressway only need to have one of the animal quarantine certificate, the plant quarantine certificate or the "three certificates" of the origin of fresh agricultural products. Among them, animals and their products rely on animal quarantine certificates, and crop products rely on plant quarantine certificates to pass through toll highways free of charge. Fresh bamboo shoots, fresh chestnuts, fresh aquatic products and fresh eggs and milk can pass through the toll highway free of charge only with the certificate of origin.

In addition to the inspection requirements for Lalutong products, when vehicles pass the inspection at high speed, they need to check four license procedures, namely, driver’s license, driving license, road transport qualification certificate and road transport operation certificate. There is no clear document, and you must have an ID card to take the green link! In the case of Henan toll station before, Kayou also mentioned that he had a driving license, but the staff insisted on asking for an ID card. The rationality of this matter is still in doubt.

Identity card is the identity certificate of the holder, which is generally used in the process of transportation, hotel registration, bank card handling, medical registration and other affairs. According to Article 15 of the Law of the People’s Republic of China on Resident Identity Cards, the people’s police perform their duties according to law, and when they encounter people suspected of committing crimes, on-site control, emergencies that seriously endanger social security, and other circumstances that require identification according to the law, they can check their resident identity cards by showing their law enforcement certificates.

However, the law stipulates that the people’s police can have the right to check their identity cards under these circumstances, but the staff of the toll station belong to the employees of the expressway investment company, not the people’s police. It stands to reason that they have no right to check their identity cards! Back in the Henan toll station incident, the staff insisted on an ID card to avoid the green pass, and when the card friend questioned whether he had the right to check the ID card, he replied, "I am definitely qualified. No ID card is inevitable. You don’t have an ID card, we can call the police. " What is the basis for the toll booth staff to say "qualified to check ID cards"?

Because many card friends are very concerned about whether they need an ID card to take the green link, the truck house left a message to the Ministry of Communications and received a reply from the Ministry of Communications.

Reply: Hello, in the document on the "green channel" policy issued by our department,There is no requirement to check the identity card.Issues related to the inspection of identity documents are not within the scope of my department’s responsibility management.

Previously, the card friend was asked to pay by the toll booth staff because of lack of pull, overload and non-compliance with the Catalogue of Fresh Agricultural Products. This time, the Henan toll booth stopped the card friend on the grounds of "no ID card". This is the first time I have seen it. After consulting the documents needed to take the green link, checking the legal authority of the ID card, and combining with the reply of the Ministry of Communications, the truck house does not agree with the staff of Henan toll station.

What do you think of the rationality of this matter? Talk about your opinion in the comments section!

　　Xinhua News Agency, Shanghai, September 6th Title: The cultural relics of the No.2 ancient ship in the Yangtze River estuary: presenting the multiculturalism in the early days of Shanghai’s opening.

　　Xinhua News Agency reporters Sun Liping and Ding Ting

　　"Dimethyl Chuantu" Cup, "Green Blowing" Glazed Porcelain, Blue and White Ear "Dowry Bottle" and even Vietnam hookah & HELIP; … In recent years, the ancient ship No.2 at the Yangtze River Estuary, which is sleeping under the north harbor channel in the northeast of hengsha island, Chongming, Shanghai, has been flooded with cultural relics.

　　On September 6th, the Shanghai Cultural Relics Protection Research Center announced a batch of water cultural relics after cleaning and preliminary textual research. Most of these porcelains are trade exchange porcelains, and they are well-made. They are like jigsaw pieces scattered on the seabed, which "collage" a vibrant and culturally diverse social life picture for people in the early days of Shanghai’s opening.

　　According to Zhai Yang, deputy director of Shanghai Cultural Relics Protection Research Center, more than 600 pieces of ceramics have been cleaned up from the preparation of the overall relocation and salvage project of the Yangtze River Estuary No.2 ancient ship. Archaeologists extracted and cleaned up some ancient ship-related cultural relics in the early stage of underwater investigation and overall migration pretreatment. Most of these porcelains are produced in Jingdezhen kilns, and some may be produced in Yixing kilns in Jiangsu and Yaokou in Fujian.

　　Carefully holding up a green glaze cup of Jingdezhen kiln in Tongzhi, Zhai Yang said that this cultural relic can be named "001". The green glazed cup is small and exquisite, and the bottom has the inscription of "Tongzhi Year System". Zhai Yang said that the bottom payment of this water cultural relic played an important role in dating the ancient ship No.2 in the Yangtze River estuary.

　　Zhai Yang is showing a green glazed cup of water cultural relics. Xinhua News Agency reporter Wang Xiang photo

　　At the bottom of the green glazed cup, there is a sketch of "Tongzhi Year System". Xinhua News Agency reporter Wang Xiang photo

　　"Jingdezhen Kiln began to burn green glazed porcelain in Xuande period of Ming Dynasty, and introduced European technology in the early Qing Dynasty to create a kind of ‘ Western green utensils ’ Enamel is different from traditional green glaze, and it is glazed by blowing glaze. This green glazed cup is slightly brown due to long-term corrosion by seawater. However, its own imprint of cultural exchanges outside junior high school in Shanghai is still vivid. " Zhai Yang said.

　　Compared with the "foreign" green glazed cup, the pastel "Dimethyl Chuantu" cup of Jingdezhen kiln in Tongzhi of Qing Dynasty is particularly antique. This pastel cup depicts two crabs walking with their crab claws open and reeds between them. Experts explained that two crabs mean "dimethyl"; Reed is homophonic. In the Qing Dynasty, the "second place" in the imperial examination, that is, the fourth place in palace examination, was called "Biography", which entrusted people’s earnest wishes for "to be no.1" at that time.

　　The "Dimethyl Biography" cup from the No.2 ancient ship in the Yangtze River Estuary symbolizes to be no.1. Xinhua News Agency reporter Wang Xiang photo

　　The underwater archaeological team also found a huge white and blue-and-white Panasonic Costus ear bottle piled in Jingdezhen kiln of Tongzhi in Qing Dynasty. This porcelain bottle is 60 cm high, with a plump shoulder and a bulging belly. There are double lion earrings on both sides, and the body of the bottle is painted with a picture of Panasonic in blue and white. Experts explained that this style was popular in the late Qing Dynasty and the Republic of China, and it was mostly used for dowry, commonly known as "dowry bottle" among the people. Surprisingly, when archaeologists cleaned and collected the thick silt in the bottle layer by layer for further research in the future, they took out a total of 50 blue and white dragon cups from the "dowry bottle" in succession.

　　The picture shows the huge "dowry bottle" in Qing Dynasty. Xinhua News Agency reporter Wang Xiang photo

　　Archaeologists took out 50 blue and white dragon cups from the "belly" of porcelain bottles. Xinhua News Agency reporter Wang Xiang photo

　　The staff extracted the silt from the water cultural relics for archaeological research. Xinhua News Agency reporter Wang Xiang photo

　　There are Vietnamese hookah cans in the cultural relics of the ancient ship No.2 in the Yangtze River estuary. Xinhua News Agency reporter Wang Xiang photo

　　On March 2nd this year, National Cultural Heritage Administration and the Shanghai Municipal Government jointly announced the official launch of the archaeological and cultural relics protection project of the No.2 ancient ship in the Yangtze River Estuary. It has been made clear that the No.2 ancient ship in the Yangtze River Estuary was a trading merchant ship during the Tongzhi period of the Qing Dynasty, and it was also a wooden sailing boat with the largest volume, the most complete preservation and a huge number of cultural relics on board. Recently, underwater archaeologists have found both rudder and iron anchor in the north of the ancient ship, which provides reference data for the "largest volume and most complete preservation" of the ancient ship No.2 in the Yangtze River estuary from another side.

　　The rudder stock of the No.2 ancient ship in the Yangtze Estuary is about 5.6 meters long and 42 centimeters in diameter, and it is also wrapped with 52 iron hoops with a width of about 7 centimeters, presumably to reinforce the rudder stock. The tiller is made of three pieces of wood surrounded by iron hoops, the longest of which is 6.26 meters. In addition, the iron anchor of the Changjiang Estuary No.2 ancient ship is a four-claw anchor, about 3.3 meters long (excluding iron rings), and it is also a relatively large ancient four-claw iron anchor found in China at present.

　　Rudder of the Yangtze River Estuary No.2 ancient ship. (Photo courtesy of Shanghai Wenbao Center)

　　Four-claw iron anchor of the Yangtze River Estuary No.2 ancient ship. (Photo courtesy of Shanghai Wenbao Center)

　　The Yangtze River Estuary No.2 ancient ship is expected to be salvaged before the end of this year. After that, according to the ancient ship archaeology and cultural relics protection plan, the cultural relics and archaeologists will carry out all-round research on the formation process, construction technology and route of the ancient ship site, explore the scientific, historical, artistic, social and cultural value of the ancient ship to the greatest extent, and gradually uncover many puzzles of the Yangtze River Estuary No.2 ancient ship.

CCTV News:March and April are the off-season of wheat processing every year, and the price is also running at a low level. However, this year, the price of wheat has fluctuated greatly. Let’s see the reporter’s investigation in Puyang, Henan Province, the main wheat producing area.

The reporter saw in a flour enterprise in Puyang, Henan Province that the vehicles that came to sell grain were scattered. Li Yanqun, a wheat grower, told the reporter that the price of wheat has experienced great fluctuations since March this year.

According to reports, affected by the rising prices of means of production and other factors, the price of wheat has been rising continuously since last year. By the first week of March this year, it reached a historical high above 1.6 yuan per catty, but it dropped sharply in the following month.

Liu Huaizeng, general manager of a flour industry group in Puyang City, Henan Province, said that at present, in the off-season of flour consumption, the overlapping epidemic situation affects logistics and transportation, and the sales volume is reduced by 10% compared with February.

Liu Huaizeng, general manager of a flour industry group in Puyang City, Henan Province:Due to the fluctuation of prices, our purchase volume has declined.

　　　　　　 In the interview, the reporter learned that after mid-April, the price of wheat rebounded slightly, which increased the uncertainty of the market. Because there are still about two months before the new wheat goes on the market, enterprises and farmers are also on the sidelines.

According to data released by the Food and Agriculture Organization of the United Nations recently, with the continuation of the conflict between Russia and Ukraine, world food prices jumped sharply in March, reaching the highest level in history. Will the high international food price have an impact on China’s wheat price? Keep looking.

The FAO Grain Price Index averaged 170.1 points in March, up 17.1% from the previous month, the highest since 1990. This is due to the soaring prices of wheat and coarse grains in the world. The main reason is that the Russian-Ukrainian conflict led to the interruption of Ukrainian and Russian grain exports, and the expected loss of exports in the Black Sea region intensified, which affected the already tight global wheat supply situation.

Although the price of wheat in the international market has risen to a historical high, China’s wheat is completely self-sufficient, and the import quota accounts for about 6% of the total domestic consumption & mdash; 7%, and a small amount of wheat imported every year is mainly used for variety adjustment, which has limited impact on China’s wheat market. In the future, domestic production and supply will mainly affect wheat prices. From the national situation, the wheat in the main producing areas has entered the jointing stage in an all-round way, and the field management has changed from promoting weakness to strengthening to growing into large ears and increasing grain weight. The transformation of seedling conditions has basically been completed and the growth is better than expected. As of April 6, the proportion of first-class and second-class seedlings of winter wheat in China was 87.9%, which was 17.4 percentage points higher than that before winter.

Cao Hui, Director of Industrial Development Research Office of Rural Economic Research Center of Ministry of Agriculture and Rural Affairs:In five provinces, 110 million mu of late-sown wheat has been generally applied with a regreening fertilizer, and the soil moisture in warm winter last year was also good, so the seedling situation changed quickly. The proportion of first-and second-class seedlings in China in early April was similar to that in the same period of the previous year, and the foundation for stable and increased production was there.

According to the market changes, the relevant state departments have also started the policy wheat auction, putting about 500,000 tons of policy wheat into the market every week. Since January, the total turnover has reached 6.723 million tons, and the turnover rate is about 98%. In addition, the intensive rotation of wheat reserves at all levels has met the grain demand of flour processing enterprises. In addition, China’s wheat stocks can meet the domestic consumption demand for more than one year, and the material foundation for ensuring stable supply and price is solid.

　　On May 28th, the Central Radio and Television General Station and the People’s Government of Hebei Province held a signing ceremony for deepening the strategic cooperation framework agreement, and the Hebei General Station of the Central Radio and Television General Station was also unveiled.

　　Shen Haixiong, Vice Minister Publicity Department of the Communist Party of China, Director and Editor-in-Chief of the Central Radio and Television General Station, and Wang Dongfeng, Secretary of the Hebei Provincial Party Committee and Director of the Standing Committee of the Provincial People’s Congress attended and jointly unveiled the Hebei General Station of the Central Radio and Television General Station. Xu Qin, Deputy Secretary of Hebei Provincial Party Committee and Governor, attended the ceremony. Jiang Xiwei, deputy director of the Central Radio and Television General Station, and Yuan Tongli, member of the Standing Committee of Hebei Provincial Party Committee and executive vice governor, respectively signed a strategic cooperation framework agreement on behalf of both parties.

　　△ Vice Minister Publicity Department of the Communist Party of China, Director and Editor-in-Chief of the Central Radio and Television General Station Shen Haixiong and Wang Dongfeng, Secretary of the Hebei Provincial Party Committee and Director of the Standing Committee of the Provincial People’s Congress, unveiled the Hebei General Station of the General Station.

　　△ Jiang Xiwei, deputy director of the Central Radio and Television General Station, signed a contract with Yuan Tongli, member of the Standing Committee of Hebei Provincial Party Committee and executive deputy governor, on behalf of both parties.

　　Gao Zhili, member of the Standing Committee of Hebei Provincial Party Committee and Secretary-General, Zhang Zheng, member of the Standing Committee of Hebei Provincial Party Committee and Minister of Propaganda Department, Xue Jijun and Wang Xiaozhen, members of the editorial board of the Central Radio and Television General Station, and Dong Weimin, chief accountant, attended the event.

　　△ Speech by Vice Minister Publicity Department of the Communist Party of China, Director and Editor-in-Chief of Central Radio and Television General Station Shen Haixiong

　　Shen Haixiong said in his speech that Hebei is an important place of capital city, a political "moat", a land of revolution and heroes, and that "New China comes from here" and "the road to catch the exam" sets sail from here. All along, the Central Radio and Television General Station has maintained a good cooperative relationship with the Hebei Provincial Party Committee and the provincial government. Signing a framework agreement for deepening strategic cooperation is a powerful measure for the General Station to thoroughly study and implement the Supreme Leader’s Socialism with Chinese characteristics Thought in the new era, marking a new chapter in strategic cooperation between the General Station and Hebei.

　　Shen Haixiong pointed out that the Supreme Leader’s general secretary knew deeply about Hebei and was eager to love it. During his work in Zhengding, Hebei Province, he left valuable ideological wealth, spiritual wealth and practical achievements. Since the 18th National Congress of the Communist Party of China, the General Secretary has visited Hebei eight times and made a series of important instructions, which have drawn a grand blueprint and provided fundamental follow-up for the high-quality economic and social development of Hebei in the new era. The main station will give full play to the important role of the main force of propaganda and reporting and ballast stone, vividly tell the story of Hebei in the new era, and actively contribute to building a strong economic province and beautiful Hebei; Dig deep into the rich cultural resources and red resources of Yanzhao, carry forward Chinese culture and inherit red genes; Further deepen the strategic cooperation with Hebei, solidly promote the effectiveness of major projects, and jointly write a new chapter in high-quality development.

　　△ Speech by Wang Dongfeng, Secretary of Hebei Provincial Party Committee and Director of the Standing Committee of Provincial People’s Congress

　　In his speech, Wang Dongfeng said that the Central Radio and Television General Station is an important propaganda position of the party, with strong communication, credibility and influence. For a long time, the Central Radio and Television General Station attached great importance to and supported Hebei, and launched a series of in-depth reports, which comprehensively showed the ever-changing changes and fruitful achievements of reform and development in Yanzhao, creating a good political atmosphere, public opinion atmosphere and social atmosphere for Hebei to do well the "three major events", fight the three tough battles, and promote innovation, development, green development and high-quality development.

　　Wang Dongfeng pointed out that Hebei is currently in a period of historical window and strategic opportunity. The coordinated development of Beijing-Tianjin-Hebei, the planning and construction of xiong’an new area and the preparations for the Beijing Winter Olympics, which were personally planned and promoted by the Supreme Leader General Secretary, provided a golden opportunity for Hebei’s development. It is hoped that the two sides will take the opportunity of signing the framework agreement on deepening strategic cooperation, focus on promoting major national strategies, carrying out study and education on party history, developing and expanding cultural industries, and improving the level of propaganda work, so as to further deepen pragmatic cooperation and strive to achieve new and greater results. All localities and departments in the province should do their best to ensure the support services and create a good environment for the work of the Central Radio and Television General Station and the Hebei Main Station in Hebei.

　　According to the agreement, the two sides will thoroughly implement major national strategies such as the coordinated development of Beijing, Tianjin and Hebei, and continue to carry out all-round, multi-channel and in-depth strategic cooperation in the fields of theme propaganda, media activities, digital economy, scientific and technological research and development, cultural tourism projects, and cultural and creative industries. Solidly promote key projects such as Zhuozhou Cultural Industry Comprehensive Project, Beijing Winter Olympics cooperation, serving the development of xiong’an new area, and "Brand Power Project" to help Hebei brand building. Work together to write a new chapter of win-win cooperation and actively help build a new development pattern.

　　Responsible comrades of the relevant departments of the Central Radio and Television General Station, relevant responsible persons of Hebei Province and Baoding City, the institutions of the central news unit in Hebei Province and the heads of news media in Hebei Province attended the event. (Photography Liao Jiangheng)

　　Villagers set up big wooden ladders to pick pears.

　　Tourists driving private cars take ferry boats to the other side to enjoy the beautiful scenery of pear blossoms.

　　A couple watered their fruit trees with Yellow River water.

　　The female homeowner who made a live tour promotion in front of the old house where the TV series Minning Town was filmed.

　　Non-genetic inheritor who guards the Yellow River waterwheel all his life.

　　Villagers who harvest buckets of red dates.

　　Heishan Gorge is one of the most spectacular canyons in the upper reaches of the Yellow River, starting from Jingyuan in Gansu and ending at Zhongwei in Ningxia, with a total length of more than 70 kilometers. Black Mountain Gorge is named for its towering cliffs and deep rivers, because the exposed rocks in the canyon are mostly blue-black. The Great Wall, built along the steep cliff on the bank of the Yellow River, stretches in thousands of valleys, and there are stone walls, rammed earth walls, beacon towers, closed castles and so on. The cultural heritage of the Yellow River and the Great Wall has created a magnificent, simple and profound Black Mountain Gorge.

　　In recent years, I have been going deep into da miao cun, Jingyuan County, Gansu Province, Cui Liu Cun, Jingtai County, and Nanchangtan Village and Beichangtan Village, shapotou district, zhongwei, Ningxia, telling the scenery and stories of Heishanxia with the lens, freezing the life moments of spring and summer, autumn harvest and winter storage, and recording the changes of the times in poverty alleviation and rural revitalization, so as to express my deep feelings and cultural concerns about the Yellow River and the Great Wall.

　　One side of the soil and water support one side of the people, relying on the nourishment of the Yellow River water. Several traditional villages scattered in the depths of the canyon are full of fireworks, like a secluded paradise. The waterwheel turning along the bank of the Yellow River and the pear blossoms blooming at the foot of the Great Wall have become the witness of people living along the Yellow River from generation to generation and living together with Heishan Gorge. People here stick to their simple and kind nature, follow the ancient life track, stay with the mountains and listen to the unchanging sound of the waves. They conscientiously inherited their ancestors’ business, raised sheep, farmed fields, and watered the fruit trees, creating a home where homesickness can be placed and the soul can live.

　　Famous historical and cultural villages in China — — Nanchangtan Village, as the first village where the Yellow River flows through Ningxia, always draws my attention. Whether the lens focuses on the figures of people in the village, the face of the bride to be married in the boudoir, or the hands of the boatman, every moment is a "Yellow River story" with temperature. The change of a village, the persistence of a custom, and the creation of a farm tool … … Not only let us feel the distance and profundity of crossing historical time and space, but also let us realize the accumulation of the Yellow River culture.

　　The Yellow River has been flowing forever. More than 80 years ago, Fan Changjiang, a famous journalist, crossed the Black Mountain Gorge on a sheepskin raft, and was shocked by the momentum here. In "Northwest Corner of China", he said with emotion: "The gorge is not less than the style of Wushan Gorge in the Three Gorges of the Yangtze River." Today, on both sides of the Yellow River, inside and outside the Great Wall, beautiful homeland is still our blood and soul. The unique natural landscape and rich humanistic customs of Heishanxia show the beauty of Chinese history, mountains and rivers, and culture, making the ancient villages along the coast famous far and wide, and more and more tourists are quietly changing here. Connecting roads, building new houses, promoting tourism, getting rid of poverty and tackling difficulties have enabled villagers to run towards a well-off life, and rural revitalization has given the village a new look. This land that has been silent for thousands of years has suddenly accelerated the pace of catching up with the times.

　　Photography is a ferryman of time. I hope that in another 80 years, these pictures can still present a vivid picture of the lingering temperature in the historical context.

　　(Author: Li Peng, member of China Photographers Association, executive president and secretary general of Ningxia Art Photography Society)

　　According to Indian media reports, on July 25th, local time, the government of Maharashtra in western India said that at least 149 people were killed, 50 injured and some people were missing.

　　The Maharashtra government also said that nearly 230,000 people in the disaster area have been transferred to safe areas. At present, many rescue teams from India’s National Disaster Emergency Response Force, Maharashtra Disaster Emergency Response Force, Navy, Army and Coast Guard are still carrying out rescue.

　　June to September is the monsoon rainy season in India every year, and landslides, mudslides and floods often occur, causing people’s lives and property losses.

　　Since July this year, the rainfall in Maharashtra has been the highest in the same month in 40 years, which is 45% higher than the usual rainfall in July. (Headquarters reporter Gao Zhan)

Adam Curtis’s career feels like a series of glitches at the heart of the BBC. His films are completely separated from the output of this channel. The first episode of his series "The Trap" (2007) covers the rise of game theory under the paranoia during the Cold War. It starts with a chilling title card ("Humans will always betray you") and is broadcast directly on BBC 2 after Crufts—, an extension of an international dog beauty contest.

Adam Curtis

Now, however, Curtis’s films can be obtained democratically on the Internet and are wildly welcomed by young people. They are documentaries on the surface, but his method is closer to poetry or video art than traditional narrative TV programs. Curtis also carefully avoided the stipulation of political labels, sometimes criticized the instability of capitalism with revolutionary Marxism, and sometimes he was a liberal technical utopian. However, in his infectious soundtrack and baroque visual style, Curtis is consistent with unwavering romanticism. He wants the audience to have a feeling-not simply explain the world.

I can’t get you out of my mind poster

Curtis’s new series "Can’t Get You Out of My Head" is a real epic. This six-part eight-hour series depicts the ups and downs of society from collectivism to individualism. His unrestricted access to BBC archives gave each episode an all-powerful eye, which Curtis used to locate and explain power, and the change of hands of power uprooted the world.

It all started with a sentence by David Gray Bo, using Curtis’s trademark all-capital Helvetica bold font-"The most secret truth in the world is that it is made by us and can be easily made into different shapes". With the development of the plot, the series tries to understand why this ultimate truth is really hidden, not dazzling. Through each episode (the last episode weighs 120 minutes), Curtis explores this issue emotionally through personal stories that try to change the modern world (from Russian dissident Edward Limonov to Tupac’s mother and former Panther member Afeni Shakur).

In the interview, Curtis told jacobin magazine about his new drama series, populist left wing, conspiracy theory and his love for music.

You subtitled this new series: "Emotional History of the Modern World". Why "emotion"?

AC：I want to explain why we are so anxious about the future. We know that we are dissatisfied with what we have today. But no one is willing to propose an alternative. I want to explain this paralysis through the rise of individualism, which makes people feel anxious and lonely, and individualism was supposed to liberate them.

In our personal time, our feelings are placed at the center, and we are taught that our inner feelings are the most important. In fact, consumerism also responds to this. Therefore, I want to describe a history of "emotion", because I am interested in the idea that your feelings are related to your system-this is really a forgotten idea.

Your previous series of works followed the narrative convention to some extent, but this series feels more like a collage, and the stories are intertwined in a nonlinear way. Why did you choose to do this?

AC：Part of the reason is that I am restless and I want to try something different. But mainly because I want to do something that feels more like a novel, a multi-part novel, just like what they wrote in the 19th century.

One of the people you pay attention to is Abu Zubaydah, whose brain was reduced to a random image by the torture of the CIA. This series feels a bit like being told through Abu Zubeda’s brain.

In fact, at the end of the film, I had a narrator who said, "We have all become like Abu Zubaida’s brain". But I deleted it because I thought it was too hard and I should let people see it for themselves. And I was right-you did see it. However, the problem about Zubaida is not torture, but that he was stuck in his brain by a shell fragment in 1991 and had such an effect that his experience is no longer meaningful. I think we have all become like this.

This series seems to be deliberately chaotic and disorderly, but history is also chaotic and disorderly. Is there a conflict between making a coherent narrative film and keeping a chaotic description of history?

AC：I want to do both. I want to describe the feeling of living in history in the era of individualism, where you have to rely on yourself and try to make all this meaningful.

You described this personal era, which flourished after World War II and is said to have liberated society, but now you say it is declining and it is no longer interesting as an individual. Can the genie be put back in the bottle?

AC：No-you can’t put it back. People are quite afraid of large-scale and twentieth-century collective efforts to change the world, which often leads to terror. The personal era comes from mass democracy as a response to mass democracy. But it actually leads to individuals who are deprived of power. They all want something different, but they don’t know how to get it. But I think another thing will appear soon, a new kind of politics, which allows you to be an expressive individual, but it is also part of something bigger than yourself. If we can regain control of the Internet from venture capital funds, then this is a good start.

You often talk about the shift from politics to culture, where radicalism just sits there and makes a lot of noise. Well, I am deeply suspicious of radicalism in art. With the rise of Thatcher and Reagan in the 1980s, leftists and liberals retreated to culture, thinking that they could change things from there. But things have not changed. I believe that the function of art is to express its times beautifully. Interestingly, it now beautifully expresses the paralysis of our time. Culture is a comfort blanket for radicals to cling to, so that they can avoid the terrible fact that they have no answer.

Has Covid-19 uprooted power?

AC：Covid-19 showed quite cruelly that the closer you are to power, the less likely you are to die. This understanding is shocking, and it will be as profound as the financial crisis in 2008.

Bernie sanders-and Britain’s jeremy corbyn-led the populist left-wing movement, trying to awaken the traditional collectivism, but they all failed. Why do you think that is?

AC：You must distinguish between the two. Sanders is likely to win the election in 2016. I remember what he said was almost exactly the same as Trump-talking to the white working class and how they were betrayed by the think tank in Washington. Although, in the primary election in 2020, his language has changed. He gave up talking to people that liberals are very afraid of.

I really don’t know Corbin well enough, but I remember talking to Labour activists during the 2019 election. What shocked me was their contempt for Brexit voters. I didn’t vote for Brexit, but I understand why people do it-not just because of anger, but because it is a tactical way to declare your alienation from the mainstream politics managed by technocrats. I know that many gin-drinking colonels in Surrey also voted for Brexit, but the elephant in the room is that all these former Labour voters have suddenly become stupid in the eyes of liberal metropolises.

You can’t deny these people, you must take them seriously. You don’t have to agree with them or believe that their racism is correct, but you must take them seriously and understand their feelings. The same is true in the United States, where Trump supporters are dismissed as being fooled by Putin, leaving them in a crumbling infrastructure and a booming opioid epidemic.

It’s interesting that you mentioned Putin. In this series, you compare the story of "TongRumen" with anonymous Q as a different way to react to the deadlock of Trump’s failed promise.

AC：When you run out of stories-that’s when you get conspiracy theories. There are many people who can’t face up to what is happening. People will not tell how Trump was chosen by Americans instead of Russia, or that he was actually very useless and was not blocked by pedophiles Satan in deep countries. I think these conspiracy theories are suitable for The New York Times, because they increase their reading, and also for intelligence agencies, because they are suddenly known as part of the resistance against Trump.

Back to collectivism, what about the society envisioned by radical Islamism?

AC：What we westerners don’t understand is that modern Islamic radicalism, which began in the late 1950s, was completely unable to bring the masses into it by the mid-1990s-maybe not in Iran, but it has completely failed in the Sunni world. The attack on the World Trade Center was not the result of a powerful movement, but the lashing out of a failed movement. The Sunni masses had not stood up at that time-not in Egypt, nor in Algeria.

But these tendencies are collectivist in thought?

AC：The question of our time is this-how do you manage a world of millions of individuals, millions of screaming pigs-how do you get them together? There is a saying that it is not the politicians’ fault that we got this withered managerialism-it is just a way to deal with millions of pigs desperately. We are little monsters. Seriously, we are.

I want to ask you a question about ghosts. M.R. James has a story called "Oh, whistle, I will come to you, my boy", and you are influenced.

AC：The inscription on the whistle that the hero of that story found on the beach-"What’s coming?" (What is this that is coming)-almost became the title of this series. But this is not a stupid thing. M.R. James wrote these stories in the 1890s, which I think is a similar era to the present. The British Empire is collapsing. With this feeling of fear and guilt, something will come back to haunt you. I think the United States has felt this way since the Vietnam War.

It’s a bit like what Mark Fisher wrote-the ghost of the past came back to cover the future.

AC：I know Mark. We used to meet in a cafe next to Liverpool Street Station and have a long talk about all this. We appeared on the stage together in Berlin, I think. But back to this idea about ghosts, I use certain characters, because they have the idea that you can force ghosts out of people’s minds and create a new society. But they forget that the most important thing is the ghost in their own heads.

The same is true of Brexit, who are troubled by a fictional and idealized vision of British history. Dominic Cummings (Boris Johnson’s former adviser, who is considered to be the mastermind of the Brexit movement) entered Britain through nationalism, which is something that liberals are very afraid of.

This is why Edward Limonov’s National Bolshevik Party is so symbolic in Russia.

AC：Exactly. Limonov is not a very nice person, but he did put forward an interesting point, that is, unless the left wing either uses nationalism or creates a stronger new myth, they will not have enough people on their side.

The last message in the series is likely to be quite promising. It says that if we can become more confident, then we can create a new vision for the future. This makes me feel strange, because it sounds like self-help, and you seem to despise this kind of thing?

AC：No, it’s the opposite of self-help. It is "stop imagining what you can do to yourself and start imagining what we can do to change the world". The starting point of self-help is that you can transform society by transforming yourself, but what we end up with is a society full of anxiety. I hope people can get out of this matter of self-help. That’s why I quoted David Gray Bo.

Your film has a very wide audience and many disgruntled young people are watching it. What do you want to say to a confused and depressed 16-year-old boy?

AC：Nothing. The last thing they want is for me to tell them what to do. I know I have such an audience, but I don’t know why. When I was filming All Watched Over by Machines of Loving Grace, I heard that children broke into the house occupied by Croydon (a town in South London) and held an all-night party to watch my movie. It was strange, and then I realized that I had broken through.

Poster "Everything is guarded by the grace machine of love"

Your movies can also be silly.

AC：Yes, I can be silly. But you must keep a straight face. You can’t let people know that you are trying to be funny, because it’s not funny. But back to the original question, there are also old people who like my work. The people who never seem to like it are political journalists. They are not interested at all. They can’t understand why I put music in it.

It’s time for us to talk about music. Why do you choose tracks instead of using original soundtracks?

AC：Basically, I want to create an emotion. But this is not cynicism. It’s always my favorite music. For a while, I decided to end the series with Zombie by the cranberry band, because it seemed appropriate. But the terrible fact is that I don’t like that song. Just before this series was about to air, I was lying in bed thinking about this song and couldn’t sleep. Finally, I replaced it with Til I Gain Control Again by This Mortal Coil.

Why did you choose this?

AC: Because it makes me cry.

Is music the first? Have you ever changed what you want to write because you want to use a song?

AC: Not in general. I tend to use images. I will use a piece of music to oppose it, and then sometimes I will adjust something to suit this song. This is an organic process, but sometimes they just work. In "Lake of Bitterness" (a film about America and Islam made by Curtis in 2015), there is a david bowie song called "The Bewlay Brothers". I put it in and it was a success. I’m never literal. You see, I’m emotional. Another example is that in the first movie of the new series, I used the German version of Marlene Dietrich’s Where Have All the Flowers Gone, and at first I used the version sung by Donovan.

Bitter Lake

You also used Burial’s Forgive, who is a frequent visitor to your soundtrack.

AC：Yes, that song is very cute. But "Come Down to Us" is the best one. It is one of the great works of our time. But there are many Burial songs that I don’t like, because they are too dubstep.

I like that you use The Specials’ Do Nothing. That song is cheerful, but it is also quite nihilistic. The same is true of Sex Pistols’s Who Killed Bambi from The Great Rock ‘n’ Roll Swindle.

AC：I want to put skinheads in. Look. I always thought skinheads were said badly. I used to be a skinhead when I was young, because I like reggae and ragga (reggae branch, combined with rap) music. Skinheads are ambiguous figures, and I am attracted by ambiguous figures.

To tell the truth, a lot of this music, it sounds like "Adam Curtis Music".

AC：[Laughter] Well, I think we all have certainty and uncertainty about our personality. I’m really not sure about my writing style. I’m really not good at writing, and I’m troubled by it. But I’m very sure about my taste in music.

Can you tell me something about your editing process? The image in my mind is that you-a person-are sitting in front of a huge control panel and gradually accumulating copyright invoices. Is this real life?

AC：Corresponding to what?

Well, as long as you snap your fingers, you will have a team of student volunteers to browse the BBC files for you. But you won’t do it.

AC：What’s the point? If you draw my career, it is completely connected with the digitalization of everything. When you start digitizing images, it’s easy to rotate them quickly. That’s what I’ve been doing all my life. I have thousands of hours of videos on many hard drives.

How do you arrange your hard disk? Are they marked with things like "dark train shots" or "city view at night"?

AC：[Laughs] No. I read one day that Amazon’s execution center randomly stores items because it is more efficient. My stuff is also very random. I have a coding system, but I also have a memory of visual patterns, so I always know where everything is. My main rule is that if it makes me cry or want to dance, then it works.

Back to your use of language, what I like is how you speak in these grand ways-you put the world in epic historical terms.

AC：Do you still remember Marianne Williamson (American writer) in the primary election of American Democratic Party? I like her because she speaks in epic historical terms. Because of this, I have a lot of trouble with my American liberal friends. Back to M.R. James and "What’s coming?" This is coming. Some people put this uncertainty and confusion on a big and historic level. Britain needs the same thing. I mean, now Labour’s argument makes me want to cry.

Why is this?

AC：Because it is speaking in utilitarian terms set by the think tank. Political needs are exciting. It can be exciting because it can tell a powerful story. We are eager for this kind of story and this kind of excitement.

Yes, there are indeed many revolutionary attempts based on grand ideas that have led to terrible results. This is an indisputable fact, and it has penetrated into people’s consciousness. But it is also true that many other things based on grand ideas and revolutions have led to amazing things: for example, the United States, or mass democracy, or the welfare state. These are all born out of grand ideas. So, we are in this pessimistic world, and we seize those failed examples and say that this means that you can never change the world. But what I want to say by quoting David Gray Bo is: Yes, we all created bad things, but we also created great things.

Original link: https://jacobinmag.com/2021/03/Adam-Curtis-BBC-cant-get-you-out-of-my-head-interview.