The 15th Plenary Session of the 12th CPC Liaoning Provincial Committee and the Economic Work Conference of the Provincial Committee were held in Shenyang.

　　The Standing Committee of the Provincial Party Committee presided over the meeting. Entrusted by the Standing Committee of the Provincial Party Committee, Zhang Guoqing made a work report and made a speech on implementing the spirit of the meeting. Liu Ning made arrangements for the province’s economic work in 2021.

　　The picture shows the 15th Plenary Session of the 12th CPC Liaoning Provincial Committee and the Economic Work Conference of the Provincial Committee. Reporter Xu Danwei Wan Zhongshe

　　Communiqué of the 15th Plenary Session of the 12th Committee of Liaoning Province, the Communist Party of China (CPC)

　　(Adopted at the 15th Plenary Session of the 12th Committee of Liaoning Province, the Communist Party of China (CPC) on January 1, 2021)

　　The 15th plenary session of the 12th Committee of Liaoning Province, the Communist Party of China (CPC) and the Economic Work Conference of the Provincial Party Committee were held in Shenyang on January 1st, 2021.

　　Present at the plenary session were 69 members of the provincial party committee and 5 alternate members of the provincial party committee. Responsible comrades of relevant parties attended the meeting as nonvoting delegates. Some grassroots representatives from the 12th Party Congress of the province also attended the meeting.

　　The meeting was presided over by the Standing Committee of the Provincial Party Committee. The meeting heard and discussed the work report made by Zhang Guoqing, secretary of the provincial party Committee, entrusted by the Standing Committee of the provincial party Committee. Zhang Guoqing made a speech on implementing the spirit of the conference, and Liu Ning, deputy secretary of the provincial party committee and governor, made arrangements for the province’s economic work in 2021.

　　The meeting held high the great banner of Supreme Leader Socialism with Chinese characteristics Thought in the new era, fully implemented the spirit of the 19th National Congress of the Communist Party of China and the 2nd, 3rd, 4th and 5th Plenary Sessions of the 19th Central Committee and the spirit of the Central Economic Work Conference, thoroughly implemented the spirit of the 14th Plenary Session of the 12th Provincial Party Committee, summed up the work in 2020, analyzed and judged the situation, deployed the work in 2021, mobilized the whole province to further unify their thoughts and actions, and ensured that the 14th Five-Year Plan got off to a good start. Qi Xin made concerted efforts to promote Liaoning in the new era.

　　During the meeting, the participating comrades had an in-depth discussion. Everyone agrees that 2020 will be an extraordinary year. Facing the profound and complicated changes at home and abroad, especially the sudden impact of the COVID-19 epidemic, the Standing Committee of the Provincial Party Committee, under the strong leadership of the CPC Central Committee with the Supreme Leader as the core, has made solid progress in coordinating the prevention and control of the epidemic and economic and social development, and comprehensively revitalizing it in all directions. The economic operation has stabilized and rebounded, the progress of structural adjustment has accelerated, scientific and technological innovations have made outstanding achievements, reform and opening up have been solidly promoted, the business environment has been continuously optimized, and the rural revitalization strategy has been implemented in depth. The three major battles have achieved remarkable results, the construction of democracy and the rule of law has been continuously strengthened, the people’s living standards have been continuously improved, and the overall social situation has been harmonious and stable. Victory in building a well-off society in an all-round way is in sight, and the party has been strictly managed in an all-round way.

　　The meeting pointed out that at present, Liaoning’s revitalization has entered a new stage of development, ushered in new opportunities and faced new challenges. Opportunities and challenges coexist, and opportunities outweigh challenges. The overall situation is beneficial to me. After years of accumulation, Liaoning has a good foundation and conditions to support high-quality development. The CPC Central Committee with the Supreme Leader as the core attaches great importance to Liaoning, shows cordial care and strong support, and points out the way forward and injects strong impetus to accelerate the revitalization and development. Resources, industries, science and education, talents, infrastructure and other strengths, equipment manufacturing, petrochemical, metallurgy and other industries have outstanding advantages, and the advantages of scene resources in industrial digitalization and data resources in digital industrialization are obvious. The good expectation of comprehensive optimization of ecological development is accelerating, the construction of digital Liaoning and intelligent province is in full swing, the transformation of old and new kinetic energy is accelerated, and the development vitality is getting stronger and stronger. The whole province should maintain strategic strength, firmly develop confidence, accurately recognize changes, respond scientifically, take the initiative to seek changes, seize new opportunities and open up new opportunities.

　　The meeting emphasized that 2021 is a year of special importance in the process of China’s modernization, and it is of great significance to do all the work well. We must adhere to the guidance of the Supreme Leader’s Socialism with Chinese characteristics Thought in the new era, fully implement the spirit of the 19th National Congress of the Communist Party of China and the Second, Third, Fourth and Fifth Plenary Sessions of the 19th Central Committee, thoroughly implement the important speech and guiding spirit of the Supreme Leader’s General Secretary on the revitalization and development of Northeast China and Liaoning, implement the deployment of the Central Economic Work Conference, adhere to the general tone of striving for progress while maintaining stability, and build a new development pattern based on the new development stage. Coordinate and promote the overall layout of the "five in one", coordinate and promote the "four comprehensive" strategic layout, take promoting high-quality development as the theme, deepen supply-side structural reform as the main line, take reform and innovation as the fundamental driving force, and meet the people’s growing needs for a better life as the fundamental purpose, adhere to the system concept, coordinate development and security, implement the spirit of the 14th Plenary Session of the 12th Provincial Party Committee, and fulfill the political mission of safeguarding the country’s "five major security". Focus on filling the "four shortcomings", do a solid job in "six key tasks", continue to do a good job in "six stability" and implement the "six guarantees" task, keep the economy running in a reasonable range, the overall social situation is harmonious and stable, and party building is comprehensively strengthened, forming a vivid picture and grand scene of solidly practicing the new development concept.To ensure a good start in the 14th Five-Year Plan and celebrate the centenary of the founding of the Communist Party of China (CPC) with outstanding achievements.

　　The meeting stressed that we should persist in arming our minds, guiding practice and promoting work with Socialism with Chinese characteristics Thought of the Supreme Leader in the new era, further strengthen the "four consciousnesses", strengthen the "four self-confidences" and achieve the "two maintenance". Promote high-quality economic development, comprehensively promote the construction of a digital Liaoning and a strong province with intelligence, create a strong atmosphere of knowing, loving and respecting talents, pay close attention to scientific and technological innovation, serve to build a new development pattern, accelerate the construction of "one belt and two districts", and plant new advantages for revitalization and development. Deepen reform and opening up, pay close attention to the reform of key areas such as optimizing the business environment, state-owned enterprise reform, factor marketization reform, and institution reform, support the development of the non-public economy, promote a higher level of opening up, and activate the endogenous motivation for revitalization and development. Strengthen the construction of democratic politics, support the National People’s Congress, the Chinese People’s Political Consultative Conference, the United front and the party’s mass organizations to play a better role, and build consensus, wisdom and strength to form a strong synergy for revitalization and development. Strengthen propaganda and ideological and cultural work, and earnestly shoulder the mission of raising flags, gathering people’s hearts, cultivating new people, promoting culture and displaying image. Accelerate the construction of Liaoning ruled by law, build a higher level of peaceful Liaoning, strengthen and innovate social governance, and promote social harmony and stability. Efforts will be made to improve people’s quality of life, do a good job in employment, education, medical care, old-age care, housing and other livelihood undertakings, and constantly enhance people’s sense of gain, happiness and security. Focus on preventing and resolving major risks,Ensure political security, social stability and people’s peace in the province. Unswervingly and comprehensively manage the party strictly, adhere to the correct orientation of selecting and employing people, do a good job in the re-election of party committees in cities, counties and townships, strengthen the construction of grassroots party organizations, integrally promote the political ecology that does not dare to rot, cannot rot, and does not want to rot, and continue to purify the political ecology, and lead the formation of a natural ecology in which man and nature coexist harmoniously with a clean and upright political ecology, a social ecology full of humanistic atmosphere and a fresh sense of the times, and an innovative and entrepreneurial ecology full of vitality.

　　The meeting stressed that this year’s economic work should focus on building a new development pattern, take the first step and see a new atmosphere. Strengthen the Party’s overall leadership over economic work. Adhere to the strategic basis of expanding domestic demand, deepen structural reform on the supply side, pay attention to demand side management, tap market potential, improve supply quality, and maintain stable and healthy economic development. Implement the innovation-driven development strategy and contribute Liaoning wisdom to the national science and technology self-reliance and self-improvement. Build a digital Liaoning and build a strong province with wisdom, and do our best to transform and upgrade the "old brand", deeply develop the "original brand name" and cultivate and expand the "new brand name". We will make greater efforts to promote reform and opening up, and strive to create a business environment that is "convenient to handle affairs, good in the rule of law, competitive in cost and ecologically livable". We will vigorously do a good job in rural revitalization, promote the effective connection between poverty alleviation and rural revitalization, accelerate the modernization of agriculture and rural areas, and promote high-quality and efficient agriculture, livable and suitable for rural areas, and rich farmers. Scientifically coordinate regional coordinated development and optimize regional economic layout. Adhere to ecological priority and green development, and build an ecological security barrier. Strengthen the guarantee of various undertakings, ensure the basics and the bottom line, fill the shortcomings of people’s livelihood, and continuously benefit the people. Coordinate development and safety, and do a good job in risk prevention and resolution. Always tighten the string of epidemic prevention and control, strengthen the awareness of risk boundary, strengthen the management of risk boundary, build a strict defense line against the rebound of epidemic situation with the highest standards and strictest requirements, and resolutely win the tough battle of epidemic prevention and control.

　　The meeting demanded that the key to doing a good job in revitalizing and developing this year is to pay close attention to implementation. We should grasp the implementation with a high degree of political consciousness, ideological consciousness and action consciousness, promote the implementation with scientific methods, effective measures and solid work style, and ensure the implementation with a clear orientation, a sound mechanism and a strong atmosphere, so that it is a common practice to work hard and pay close attention to the implementation in Liaoning. Focus on the decision-making arrangements of the CPC Central Committee and the work requirements of the provincial party committee, improve the implementation mechanism, establish a "responsibility chain" that runs through to the end, refine practical work measures, improve the entrepreneurial ability of leading cadres and officers, strengthen work supervision and assessment, and ensure that all tasks are implemented and effective.

　　The meeting called on the whole province to unite more closely around the CPC Central Committee with the Supreme Leader as the core, take the Supreme Leader’s Socialism with Chinese characteristics Thought in the new era as the guide, strengthen confidence, face difficulties, strive for progress, strive to complete various objectives and tasks, strive to create a new situation for Liaoning’s revitalization and development, and greet the 100th anniversary of the founding of the Party with excellent results!

Shijiazhuang is the land of revolution, the land of heroes, and the place where New China came from. General Secretary of the Supreme Leader knows Hebei deeply and loves it deeply, and attaches great importance to the development of Shijiazhuang.

Autumn in September, National Day is approaching. On September 28th, four additional port toll stations were officially opened in Shijiazhuang Ring Expressway, and nine ramp toll stations in the Ring Expressway stopped charging and opened. After four newly-built toll stations were put into use, nine existing toll stations, namely Xizhaotong, Beiwunv, Gaocheng West, Shijiazhuang, Luancheng, Xigucheng, Shiqing Road, Nanxincheng and Zhengding, were opened simultaneously, marking that eight sections of the 96.6-kilometer expressway within Shijiazhuang Ring Expressway were free to drive. Greatly improved urban space, more perfect transportation network … A 1,200-square-kilometer development framework with 9 toll stations as the gateway is slowly spread out over the provincial capital.

Time goes back to summer. On June 28th, 2021, the provincial party committee and the provincial government issued the Opinions on Vigorously Supporting the Construction of Provincial Capital and High-quality Development, requiring all expressways in the Third Ring Road of Shijiazhuang to cancel their charges before September 30th. Time waits for no man. The Provincial Department of Transportation resolutely implements the decision of the provincial party committee and government, adheres to the political stance, stands firm on the people’s position, strengthens the overall concept, plays a leading role, closely builds a modern comprehensive transportation system of the provincial capital, and regards the cancellation of charges within the expressway around Shijiazhuang as a major livelihood project. After two months of hard work and coordinated operations, four new port toll stations were built and equipped with charging conditions on September 20, which set the fastest record for the construction of expressway toll stations in our province, in order to help promote modernization and internationalization.

First, plan from a high starting point and draw a new framework for urban development with wisdom and strength.

Since the beginning of the project construction, the provincial offices have adhered to the positioning of Shijiazhuang as the provincial capital and the regional central city of world-class urban agglomeration with the capital as the core. At the same time, considering the present situation and future development of peripheral traffic, they have focused on improving the road capacity in the urban area. After hiring a high-level design team and soliciting opinions and suggestions from all sides, they finally decided to cancel the toll collection section from "within the third ring road" to "within the expressway around the city". A 137.9-kilometer ring road around the city consisting of Beijing-Hong Kong-Macao Expressway in the east, Qingyin Expressway in the south, Beijing-Kunming Expressway in the west, North Ring Expressway and Jinshi Expressway has been formed, further opening up the spatial pattern of the development of provincial capitals.

The locations of the four new toll stations are: about 3 kilometers west of Pengjiazhuang Hub Interchange of Huangshi Expressway, Shijiazhuang East Toll Station is newly built, and 21 toll lanes with 9 entrances and 12 exits are set; About 2 kilometers north of Yong ‘an Hub Interchange of Xinyuan Expressway, Shijiazhuang South Toll Station will be newly built, with 18 toll lanes with 8 entrances and 10 exits. About 1 km east of the interchange of Gaozhuang Hub in Shitai section of Huangshi Expressway, Shijiazhuang West Toll Station was newly built, with 16 toll lanes with 8 entrances and 8 exits. About 1.5 kilometers south of the intersection of Xinyuan Expressway Corner Shop Hub, Shijiazhuang North Toll Station was newly built, with 21 toll lanes with 10 entrances and 11 exits.

After four newly-built toll stations were put into use, nine existing toll stations, namely Xizhaotong, Beiwunv, Gaocheng West, Shijiazhuang, Luancheng, Xigucheng, Shiqing Road, Nanxincheng and Zhengding, were opened simultaneously, marking that eight sections of the 96.6-kilometer expressway within Shijiazhuang Ring Expressway were free to drive. The four newly-added toll stations and the five operating toll stations in Shijiazhuang North, Huozhai, Nanjiangbi, Chemical Industry Park and Sijiazhuang have opened the development framework of the provincial capital with 9 toll stations as the gateway, which further optimized the urban spatial layout, improved the surrounding road network system, eased the traffic pressure in the urban area and effectively promoted the function improvement of the provincial capital city.

Second, high-efficiency promotion, decisive battle and decisive battle to spell out the construction acceleration

It took only two months to create the fastest record of expressway toll station construction in our province, which is the unremitting efforts of Hebei traffic people day and night.

After receiving the task, the provincial office and Shijiazhuang City set up a work leading group, set up a special work class step by step, and implemented inventory and node management. The office presided over the work leaders to hold six special meetings to study and solve problems in the first line. High-speed Group and Jiaotou Group carry out the responsibility of guarantee, mainly responsible for comrades’ marking and dispatching, and in charge of leaders’ casing guarantee. Party committees and governments at all levels in Shijiazhuang City warmly serve, implement the main responsibility of local work, and complete the task of expropriation and demolition within a time limit.

Starting is a decisive battle, entering is a craze, and starting is a sprint. Provincial offices are equipped with strong manpower and material resources, sufficient raw and auxiliary materials and efficient machinery. Optimize the construction organization, coordinate the connection of working procedures, increase the working face, and adopt the methods of "5+2", "white plus black" and "people stop working without rest" to cross construction, continuous operation and parallel operation.

It takes 15 days to complete the installation of the steel grid structure of the toll shed, 25 days to complete the construction of subgrade and pavement, 20 days to complete the installation of traffic safety facilities and electromechanical equipment, and 45 days to complete the construction of housing construction facilities, thus realizing the completion of the main body of the project. Carry out the "30-day decisive battle" labor competition, set up the party member vanguard and youth commando, and launch a full-scale general battle and a decisive battle. During the peak hours, more than 80 operation teams and more than 3,000 contractors joined in the construction … Groups of figures formed a brightly lit and full-fledged construction scene.

Third, high standard positioning, continue to inherit and dress up the provincial capital transportation portal

Let the toll booth "say" the provincial capital and "show" the provincial capital, and the concept of "toll station reflects the city" is reflected in the design of four toll stations everywhere.

Shijiazhuang South Toll Station takes Zhao Zhouqiao, the first stone arch bridge in China, as the prototype, extracts the characteristics of arch elements, constructs eight arch decorations, and shows the profound heritage of the provincial capital. Shijiazhuang North Toll Station is a combination of traditional wooden roof and modern arc curve, which is like spreading its wings from a distance, implying the vigorous development of Zhengding Free Trade Zone. Shijiazhuang East Toll Station adopts modern modeling and blends into Chinese eaves lattice structure, which shows the enterprising spirit of the provincial capital connecting China and the West and keeping pace with the times. Shijiazhuang west toll station uses the method of combining traditional Chinese style with modern style to outline the charm of the provincial capital, which integrates ancient and modern times and moves towards the future.

Evergreen in four seasons, with flowers in three seasons and bright lights, the four toll stations have been carefully designed for greening, beautification and lighting, showing the brand-new features of the new era and creating a beautiful traffic gateway for the provincial capital.

Fourth, high-quality construction, carefully crafted to create a quality model project

In the construction of the project, the provincial office has always firmly established the concept of high-quality development, comprehensively evaluated the quality of the benchmark, and focused on the creation of quality projects and model projects to improve the construction quality and internal taste.

The first is to improve the quality of construction. Strictly implement the lifelong quality responsibility system, and formulate 9 rules and regulations and 12 work instructions, such as Engineering Quality Management Measures, Highway Engineering Construction Quality Common Failures and Prevention Measures, to realize the whole process of quality control. Give full play to the role of expert consultation and on-site supervision, strengthen the quality control of raw materials, strictly control the technology and process, and meet the requirements of home improvement. The second is to improve the quality of operations. The smoothness of asphalt pavement and cement concrete pavement shall be controlled within 0.6 mm and 1.3 mm respectively, so as to improve the driving comfort. Formulate the "Quality Improvement Plan", rely on the toll plaza, greenhouse, station area to arrange shrubs, trees and other plant communities, improve supporting service facilities, set up police kiosks, convenience service desks, simple car repair tools, 24-hour hot water, conventional medical supplies, etc., to extend and improve the quality of public travel services. The third is to raise standards for safety. Formulate the Implementation Guide for Risk Identification, Evaluation and Control, define 4 risk identification ranges and 24 evaluation units, and establish a systematic and complete security system. Strengthen the safety control of the construction site, strengthen the construction organization and coordination, traffic organization and control, and strengthen the full coverage of safety management, with no dead ends and blind spots, so that the safety situation is stable and orderly.

Fifth, high-level innovation, focusing on the long-term to create a new highland of model, ecology and technology.

In the project construction, the provincial offices insist on putting innovation in a prominent position. Innovate the construction management mode, adopt the design and construction general contracting construction mode and the whole process agent management mode to realize the overall control and efficient connection of design, procurement and construction, reduce the project cost, shorten the construction period and ensure the project quality.

Not only that, the technology of "passive ultra-low energy consumption building" was first applied to the accommodation building of toll station. By using this technology, the effects of constant temperature, constant humidity, constant oxygen, constant cleanliness and constant static can be achieved, and the demand for heating and cooling in buildings can be reduced to the utmost extent, and the energy consumption is reduced by about 50% compared with that in conventional buildings. In addition, asphalt rubber is adopted on the pavement, which improves the long-life durability of the pavement and purifies the atmospheric environment. A total of 480 tons of waste tires are consumed and 350 tons of carbon dioxide emissions are reduced.

The intelligent innovation achievements of Hebei Transportation in recent years have also been fully applied: introducing intelligent toll robots, and using big data, intelligent vehicle identification, intelligent cloud platform and other technical means to realize unmanned self-service toll collection and automatic handling of special situations in some lanes, improve traffic efficiency and service quality, and reduce labor intensity. Introduce a special disinfector for CPC card, and complete card disinfection and transaction processing at the same time by selecting a non-contact reader module, effectively blocking the spread of virus in the process of recycling.

The most beautiful scenery is in the next journey. Standing at the historical intersection of the goal of "two hundred years", at the glorious moment of the centenary of the Communist Party of China (CPC)’s founding, and at the critical period when the "14th Five-Year Plan" is launched in an all-round way, the provincial offices will continue to vigorously uphold the service-oriented concept, create a smooth, clean, green, beautiful and safe traffic environment, speed up the construction of a modern comprehensive transportation system for the provincial capital, and strive to make new and greater contributions to building a strong economic province and beautiful Hebei in an all-round way in the new era.

Original title: "Shijiazhuang cancels 9 toll stations, and the whole process is announced for the first time! 》

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On the morning of the 11th, a wooden house in Guidun, Tangshui Village, Bajiang Town, Sanjiang Dong Autonomous County, was destroyed by the sudden rainstorm, causing casualties. Zheng Junkang, secretary of the Municipal Party Committee, immediately rushed to the disaster site from Liuzhou Airport to direct rescue and relief after learning about the disaster in Bajiang Town on his way back from Guangdong-Hong Kong-Macao Greater Bay Area’s investment promotion, and visited the injured in Sanjiang County People’s Hospital, asking the relevant departments to go all out to carry out rescue and rescue, do a good job in the treatment and rehabilitation of the wounded, strengthen the investigation of hidden dangers by analogy, do a good job in people’s safe-haven transfer, and make every effort to ensure the safety of people’s lives and property.

Zheng Junkang learned the cause of the disaster from the staff of Liuzhou Sub-station of Guangxi Geological Environment Monitoring Station.

According to reports, from 7: 00 on the 10 th to 7: 00 on the 11 th, the rainfall in Tangshui Village of Bajiang Town exceeded 130 mm. In particular, heavy rains mainly concentrated on the evening of the 10th. On the morning of the 11th, some villagers reported to the village committee immediately after they went out and found that the wooden house had been destroyed. The village committee immediately organized villagers to carry out rescue and rescued the injured and trapped in time. After the disaster occurred, the Sanjiang County Party Committee and the county government immediately launched an emergency plan and organized personnel from public security and fire departments to carry out emergency rescue work in time.

At 5: 00 pm on the 11th, Zheng Junkang rushed to the scene where the wooden house was washed away in the rain, learned more about the disaster situation, and directed relevant departments to do a good job in emergency rescue, disaster relief and aftermath. Zheng Junkang pointed out that rescue workers should pay attention to safety and clean up the scene where houses were washed away as soon as possible to avoid secondary disasters. Then, Zheng Junkang rushed to Sanjiang County People’s Hospital, visited the two injured people, and demanded that all efforts should be made to treat and appease the wounded, conduct psychological counseling, give full play to the advantages of the medical association, and send medical experts from the Municipal Workers’ Hospital for treatment to ensure that the affected people can get the best medical resources.

Zheng Junkang emphasized that the current rainfall is still going on, and it is necessary to do a good job in the investigation of new hidden dangers and eliminate hidden dangers in time; Party member cadres should assist the affected households and do a good job in post-disaster reconstruction.

Zheng Junkang directed the rescue and relief work at the disaster site.

At noon that day, the reporter also rushed from Liuzhou City to Sanjiang Bajiang, and saw many landslides in Bajiang Town, but the road had been cleared. At the scene where the house in Guidatun was destroyed, rescuers such as public security and fire fighting have searched all the bodies of the victims. It is reported that a total of five people were killed and two injured when houses were washed away. The staff of Liuzhou Sub-station of Guangxi Geological Environment Monitoring Station is carrying out geological environment survey on the mountain to find out the cause of the disaster.

City leaders Hou Gang, Cui Jun and Zhu Futing went to participate in the rescue and relief work.

Related news:

From 20: 00 on September 10th to 16: 00 on 11th, 2020, affected by the low-level shear line and the weak cold air on the ground, heavy rain to heavy rain and local heavy rain occurred in the northern part of our city. The heavy rain mainly occurred in Bajiang, Doujiang, Liangkou, Linxi, Dudong, Laobao and Baiyun, Hongshui, Tonglian and Sanfang towns in Sanjiang County. Showers in the south, local moderate rain (with photos). According to the statistics of automatic weather station, there are 10 townships in the city with rainfall greater than 100 mm and 7 townships with rainfall greater than 50 mm; The maximum rainfall is 156.6 mm (Bajiang Town, Sanjiang County), and the maximum hourly rainfall is 62.2 mm (Dongping Village, Doujiang Town, Sanjiang County, 09: 00 on the 11th).

During the period of heavy rainfall, the city issued 16 warning signals of various disastrous weather, including 6 orange warning signals of rainstorm, 1 red warning signal and 9 yellow warning signals of lightning. The rolling forecast service of 2-3 hours was carried out three times in time (06: 00, 10: 00 and 13: 00 on the 11th).

weather forecast

According to the latest meteorological data analysis, on the 12th, due to the influence of low-level shear line and weak cold air on the ground, there was light rain in the north and moderate rain in the south of our city, and some heavy rain to heavy rain may be accompanied by strong convective weather such as short-term thunderstorms and strong winds. On 13th-14th, due to the influence of subtropical high circulation and low-level southerly airflow, it was cloudy with showers or thunderstorms and local heavy rain. The specific forecast is as follows:

On the 12th, there was light rain in the north and moderate rain in the south of our city, with local heavy rain to heavy rain, which may be accompanied by strong convective weather such as short-term thunderstorms and strong winds. The north wind was 1 ~ 2, the north was 22 ~ 24 C, and the south was 24 ~ 25 C. The highest temperature was 27 ~ 28 C in the north and 29 ~ 30 C in the south.

On the 13th, it was cloudy with showers, with a northerly wind of 1 ~ 2, the lowest temperature of 22 ~ 24℃ and the highest temperature of 28 ~ 30℃.

On the 14th, it was cloudy with showers, with southerly winds of 1 ~ 2, with the lowest temperature of 22 ~ 24℃ and the highest temperature of 30 ~ 31℃.

Source/Reporter Li Shuhou Li Hanchi, Liuzhou Daily, Liuzhou Meteorological Bureau

Original title: "Sanjiang rainstorm caused an accident with casualties! Kang Ge rushed to the disaster site of Bajiang to direct rescue and disaster relief.

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　　CCTV News:The successful launch this afternoon (July 24th) is the first experimental module of China’s space station, which consists of three parts: the working module, the airlock module and the resource module. It is the heaviest single-cabin active aircraft in the world. The candlestick experimental module has the backup function of several key systems in the core module. It can be said that it is of great significance to the construction of China’s space station, and its many innovative technologies have also set many new records in the development of spacecraft in our country, which is another major achievement made by China Aerospace in its efforts to achieve high-level self-reliance.　

　　Behind such a great achievement, the average age of the designer team of the candlestick experimental cabin is only in their thirties, and they are a group of young people. Today’s story about China Space Station, we will listen to the innovative stories of these young people. One arrow in ten years, "ask the sky", to feel the innovative power of this young designer team.

　　At 14: 22 this afternoon, the Changwu B rocket carrying the candlestick experimental module was successfully launched.

　　Just as everyone was taking a group photo to celebrate, one team was still staring at the computer screen nervously, waiting for an important news.

　　About an hour after the launch, the solar wing of the candlestick experimental module unfolded smoothly. Until then, the hanging heart of the team relaxed a little.

　　Zhang Jiao, chief designer of the overall system of the candlestick experimental cabin of the Fifth Academy of Aerospace Science and Technology Group:The deployment of solar wing windsurfing is the most important key event in the early stage of our orbit. Only if it succeeds can our aircraft fly smoothly and safely.

　　Zhang Jiao is the chief designer of the overall system of the candlestick experimental module, and his team is the team of designers who have been with the candlestick experimental module for ten years.　

　　The flexible solar wing is deployed in sections to ensure the attitude stability of the experimental cabin.

　　In order to provide enough energy for the space station, the space experiment module carries two huge flexible solar wings, and the length of each wing can reach 28 meters. In order to ensure the attitude stability of the space experiment module, the solar wings adopt a brand-new deployment method — — Expand in sections.

　　Zhang Jiao, chief designer of the overall system of the candlestick experimental cabin of the Fifth Academy of Aerospace Science and Technology Group:First of all, in the solo flight stage, expand the length by 1/3 to 1/4, and expand it by about 6.5 meters, so that it can fly in a contracted way first. After the contracted flight, its stiffness will be good and its control will be stable. When we finish the rendezvous and docking, it will be completely expanded again.

　　On March 30, 2012, that is, ten years ago, the space station officially shifted from the scheme demonstration stage to the scheme design stage. On the second day, Zhang Jiao, who had just returned from studying abroad, joined the team of space station designers as he wished. In the past ten years, the team of designers, including Zhang Jiao, has overcome many difficulties, constantly innovated and searched for the best solution. In their view, it is the responsibility of their generation of astronauts to do a good job in the space station and use it well in the future.

　　Zhang Jiao, chief designer of the overall system of the candlestick experimental cabin of the Fifth Academy of Aerospace Science and Technology Group:On the second day, I officially entered a node of the conceptual design of the space station and joined the design team of the space station. Therefore, I will keep this day in mind.　

　　How to successfully transfer the space migration and transposition experiment module?

　　Just as Zhang Jiao, a young and energetic man, was about to make a big splash, reality poured cold water on him. After the rendezvous and docking of the port and the core module in the previous paragraph, the candlestick experimental module needs to be transferred to the lateral port before the launch of the Mengtian experimental module. Two big guys weighing more than 20 tons have to complete the migration and transposition in space, and they may roll and drift if they are not careful. What attitude the space station will take to complete this ultra-difficult action is puzzling everyone.

　　Zhang Jiao, chief designer of the overall system of the candlestick experimental cabin of the Fifth Academy of Aerospace Science and Technology Group:In what form? What actuator is used for transposition? How to decompose the function of transposition? How to match the time sequence? How to verify the ground? Is the link of verification covered? What can each covered link come back? Answer me, how did my technical indicators match? These are all questions we need to answer, and we haven’t slept well for two years.

　　Task-level experiment, function-level experiment, test verification, model flight test, etc. In two years, the team of designers made thousands of experiments through simulation, and finally found the most stable and reliable flight attitude.

　　Zhang Jiao, chief designer of the overall system of the candlestick experimental cabin of the Fifth Academy of Aerospace Science and Technology Group:We found that such a transposition posture based on gravity gradient stability is the smallest for posture drift in the transfer process, that is to say, before transposition, I first set the cabin up and turned it into a slender one-line combination. For example, I hold this pen like this, which is actually very easy to roll and roll, but if I hold it, it will be stable by gravity gradient, which is a form of my center of gravity, and it is a basically quasi-stable combination.

　　At 6: 59 on January 6, 2022, after about 47 minutes of cross-system close cooperation, the test of the space station manipulator to transfer the cargo spacecraft was a complete success. This is the first time that China has used the space station manipulator to operate a large-scale on-orbit aircraft for the transfer test.

　　Zhang Jiao, chief designer of the overall system of the candlestick experimental cabin of the Fifth Academy of Aerospace Science and Technology Group:During the transposition of Tianzhou-2, we have verified the basic configuration and posture in advance, so the scheme we designed before is reasonable, so our subsequent transposition of the experimental module will also follow this posture scheme.　

　　Designer team: it is the responsibility of astronauts to do a good job in the space station

　　Overcoming the problem of transposition is only the tip of the iceberg in the development process of the experimental capsule. The summary document of the initial sample development stage of the experimental capsule from June 2014 to December 2020 has nearly 700 pages and more than 600,000 words.

　　Zhang Jiao, chief designer of the overall system of the candlestick experimental cabin of the Fifth Academy of Aerospace Science and Technology Group:We have nearly 4,000 fault mode countermeasures just for the rendezvous and docking of the experimental capsule and the linear construction of the two capsules, and we can accurately locate and identify the fault at the first moment, and we can deal with it in time.

　　Different from other types of spacecraft, the results can often be seen after several years of development cycle, and the development of the space station took ten years. In this decade, the team of space station designers had no chance to celebrate, but only insisted on sitting on the bench.

　　Zhang Jiao, chief designer of the overall system of the candlestick experimental cabin of the Fifth Academy of Aerospace Science and Technology Group:It was not until the launch of the core cabin on April 29 last year that we really felt the joy of the first copy. Doing a good job in the space station is to design it well, develop it well, and use it well again, which is the responsibility of our generation of astronauts.

　　Zhang Hao, the overall chief designer of the space station system of the Fifth Academy of Aerospace Science and Technology Group:Everyone is United in their efforts, and there is nothing else. They are all thinking about how to do this thing and this model well and do this business well.

　　Zheng Hao, deputy chief designer of the space station system of the Fifth Academy of Aerospace Science and Technology Group:The launch vehicle played perfectly and a big stone in my heart fell to the ground. I hope everything goes well in the following work, and then the rendezvous and docking will be completed perfectly tomorrow, which is an important step in the construction of our space station.

Jing Ren She Fa [2024] No.12

　　In order to ensure that the insured units and individuals in this Municipality pay the social insurance premiums in 2024 in full and on time, the upper and lower limits of the wage base of various social insurance contributions are hereby notified as follows:

　　1. Since July 2024, the upper limit of the monthly payment base for the basic old-age insurance, unemployment insurance, industrial injury insurance and basic medical insurance (including maternity) for enterprise employees in this city in 2024 is determined to be 35,283 yuan, and the lower limit of the monthly payment base is 6,821 yuan.

　　Second, since July, 2024, individuals who file in their personal capacity in social insurance agencies such as city and district human resources public service centers, and who participate in social insurance, as well as individuals who pay social insurance in various street (township) convenience service centers, can choose between the lower limit and the upper limit of the old-age insurance payment for enterprise employees. If the application procedures are not completed on schedule, the base of social insurance payment in 2024 will be determined according to the base of my previous year. If it is lower than the lower limit of employee pension insurance payment and unemployment insurance payment, the following limit will be used as the base of payment.

　　1. If the upper limit of the monthly payment base of basic old-age insurance and unemployment insurance is 35,283 yuan, the insured person will pay the basic old-age insurance premium of 7,056.6 yuan and unemployment insurance premium of 352.83 yuan.

　　2. If calculated according to the lower limit of 6,821 yuan for the basic old-age insurance and unemployment insurance, the insured person will pay 1,364.2 yuan for the basic old-age insurance and 68.21 yuan for the unemployment insurance.

　　Three, since July 2024, in the city, district human resources public service center and other social insurance agencies in their personal capacity, and individuals who participate in social insurance, as well as individuals who pay social insurance in various street (township) convenience service centers, pay the basic medical insurance premium of 576.32 yuan per month.

　　4. Since July 2024, the upper limit of the monthly payment base of the basic old-age insurance for employees of government agencies and institutions in this city in 2024 is determined to be 35,283 yuan, and the lower limit of the monthly payment base is 7,057 yuan.

　　This is for your information.

Beijing Municipal Bureau of Human Resources and Social Security　　　　

Beijing Municipal Medical Security Bureau　　　　

State Taxation Administration of The People’s Republic of China Beijing Municipal Taxation Bureau　　　　

July 26, 2024　　

　　CCTV News:The reporter learned from the regular press conference of the National Development and Reform Commission held this morning (20th) that according to the latest statistics, the national power generation has achieved positive growth year-on-year since April.

　　From the perspective of power generation, the power generation of industrial enterprises above designated size in the first quarter decreased by 6.8% year-on-year, and the growth rate decreased by 1.4 percentage points compared with the previous two months. In March, power generation decreased by 4.6% year-on-year. According to the dispatching data of the power grid company, April 1 — On the 15th, the national power generation increased by 1.2% year-on-year, achieving positive growth.

　　In terms of electricity consumption, the electricity consumption of the whole society in the first quarter decreased by 6.5% year-on-year. Among them, the primary, secondary, tertiary and residential electricity consumption increased by 4.0%, decreased by 8.8%, decreased by 8.3% and increased by 3.5% respectively, and the residential electricity consumption continued to maintain rapid growth. In terms of regions, electricity consumption in seven provinces in China is increasing, with the growth rate of Yunnan and Xinjiang exceeding 5%. In March, the electricity consumption of the whole society decreased by 4.2% year-on-year, and the growth rate decreased by 5.9 percentage points compared with the previous month.

Ten years ago, I first met him.Xu tongDirector.

　

At that time, he took the documentaries "Fortune Telling" and "Old Tang Tou" to communicate with us at school.

　

Ten years later, I was with him again.Minute international short film festivalMeet again in the world.

　

In the past 10 years, the whole world has undergone earth-shaking changes, especially in the past two years, which has reshaped our cognition of ourselves and the world from all levels.

　

So is director Xu Tong.

　

After he turned 50, he said that his world outlook had undergone a powerful update and upgrade.

　

In his own words:"I have now evolved to version 3.0."

　

We had a long talk with director Xu Tong in version 3.0.

　

Talk about how he updates his world view, his understanding of the meta-universe, and where the documentary will go in this context.

Xu tong

Documentary director, screenwriter and writer

Masterpieces: Wheat Harvest, Fortune Telling, Old Tang Tou, Four Brothers, Digging Eyes and Barefoot Doctor.

　

Renew the world outlook

　

Houlang movie:Director Xu Tong, the last time I saw you was 10 years ago, when you were a model. Seeing you again now is getting more and more fashionable, and I almost didn’t dare to recognize it. And when you meet, you will say that your world outlook has changed greatly over the years.

So I was thinking:Perhaps the external modeling has a lot to do with the change of your internal view of time?

　

Xu Tong: Maybe the appearance and the heart are in harmony. After all, it has been 10 years, and not only the world outlook, but also the world is changing.

After making documentaries for so many years, now they all call me."old director"I’m a little dissatisfied.

My world has changed a lot since three years ago, because we were stationed in a privately-run nursing home to shoot (documentary "Nursing Home", 2019). In a county town in the northeast, it was very inconspicuous, not the kind of tall state-owned nursing home.

"Nursing Home" shooting scene

I feel that this is a universe completely parallel to my world (living and working in Beijing).

Sometimes, we really feel that space is not in a space with reality. Even the world is not only our real life. There may be another layer that is a virtual and re-simulated world.

For example, we now live in The Truman Show, and this world is also called "matrix simulation". Because we can be a and b in the smallest matter, it is called "superposition state" Physics 100 years ago has discovered this.

But in any case, since our world is parallel and has become many realities, such as the reality of Beijing and the reality of nursing homes, if the realities of different spaces are so intertwined, your psychological state, behavioral state and mental outlook will change.

Just like fashion, I will feel that I am not fashion, but a little superimposed.

Clothes may be long or short, but it doesn’t matter. What matters is how to stack them in a state that makes you feel comfortable, which is the most suitable for you.

"Nursing Home" shooting scene

　

Houlang film: Is the opportunity for you to change just because of Nursing Home?

　

Xu Tong: The main opportunity lies in.worldview.

For example, "three views are ruined" is often when we are not paying attention, and the world outlook, outlook on life and values are easy to go astray.

Among these three views, I think it is easier to grasp from the technical level, that is, the "world outlook."

Simply put, "world outlook" is about understanding and cognition of the world.

Xu Tong’s Visual Art Works (1)

In the past 100 years, the world outlook of mankind has made a particularly great leap. Generally speaking, our understanding of the world can be divided into three stages:

The first stage, represented by Aristotle in ancient Greece, is a basic description of what the world and the universe are, which is an anthropomorphic description, that is, everything in the world is composed of some basic substances;

In the second stage, Newton’s worldview, he thinks that everything in the world is a mechanical, push-pull relationship, and the relationship between force and force. Newton’s worldview is a mechanistic worldview, just like a machine.

The third stage is the change of the world outlook in the past hundred years, for example, from Einstein, so our world has entered what I called version 3.0, which is out of Newton’s world outlook.

In the past three years, I have made a self-renewal in this world view.

Just like this computer system is not good, we will update and upgrade the system.

　

Enjoy reading and enjoying the shock.

Houlang filmYou have been particularly fond of mentioning physical things in recent years. Where did this information mainly come from?

　

Xu Tong:read.

Why am I willing to talk so much about Houlang movies? Because Houlang (publishing house) is helpful to me.

This is not an advertisement, because they constantly provide me with many books with rich world views. Of course, they also focus on movies, or literature, and picture books like The Lighthouse.

In a word, it opens a window for us to understand the new face of the world.

The day before yesterday, we also talked about the problem of pushing information on the Internet. Although it is very convenient, once you search for something, it will push the relevant news in the right direction. This is called."cocoon room effect", that is, "self-restraint."

Xu Tong’s Visual Art Works (2)

But books don’t take the initiative to find you, only you take the initiative to find books, so it brings you more things, especially translations.

Translation is a particularly good channel for ideological enlightenment, and even I think this kind of translation with a certain depth and a little voluminous is particularly helpful to me.

for exampleHistory of thought in the 20th centuryI lived in a nursing home for a year the year before last, and spent a lot of time not shooting, just looking at these things-I think for a director, this is simply a gift from God.

　

Houlang filmAfter listening to your recommendation, I also recommend our company’s books to you. Our company has a series called "History Hall", which is a brand of historical books, covering the history of the whole world;

There is also a series called "Wisdom Palace", which is a book brand of humanities and social sciences; In addition, there is a series called "Post Wave Science", and there are a lot of books about the universe, ecology and biology.

　

Xu Tong: That sounds good to me.In the past, I only focused on making movies, but now I think we should have a bigger world outlook and constantly re-understand the universe.

　

Houlang filmThe ancients said that "you know your destiny at fifty", and it is very valuable to be so eager to understand the world and update your system in the "year of destiny".

　

Xu Tong: But I really enjoy it. I am a kind ofUneasy, enjoyable and shockingThe state of.

In fact, we all know the basic principles of "quantum mechanics", but what we can’t know is: why can everything in the universe be arranged in an orderly manner without disorder?

　

Documentaries will also die.

Houlang film: Your world outlook has changed so much. Is there any change in your personal work and life?

　

Xu Tong: My novel will be adapted into a movie. Now that it has been publicized,AchengThe old man checks the script, and he is also our art consultant.

　

Houlang film: You need to tell yourself a story.

　

Xu Tong: Right. The story is actually a model. I watched a novel class that day, which was very interesting.

It says that there is a formula for writing stories, which revolves around several issues:

What is your hero’s goal? What is the dilemma? What is effort? What is the failed and unsatisfactory result? What did he overcome and change? This is a basic model. Why are humans willing to discover and build models?

After my worldview was updated to 3.0, I felt that the essence of human nature was not a moral issue at all.

When we read a lot of literature and art, it seems that we are all thinking about human nature. But it was wrong. It was not until I was 50 that I found out:

What is human nature? Humanity is measurement!

How to understand this sentence?

Take our bodies for example. Man is a carbon-based creature, and carbon is the simplest chemical element, so why does such a simple carbon element finally emerge consciousness? This is a very complicated process.

There is a lot of contingency in this process, and finally life comes into being, and life emerges consciousness, and then it is very interesting.

Xu Tong’s new work "They are made of meat. How is meat made?"

Just like when I was a director, I felt that there were waves of information in the field.

When we shoot a documentary, we want to capture this real-time information, as far as possible through intermediary devices outside the body, such as cameras, so that the audience can receive this signal while watching-this is what the documentary is about.

However, due to the limited number of people, especially the limited tools invented by people, we can’t convey all this information, and the information will be "attenuated" in the image-this is the difference between the authenticity of the work and the authenticity of the scene.

Houlang filmThere will always be a gap.

　

Xu Tong: That’s why I hope so much.metaverseandvirtual worldBecause I think it will solve this problem.

Suppose we are now in a meta-universe, and its immersion and simulation have reached the same level as that of our physical body, then we don’t need to shoot the scene to anyone, just want to show him this information.

There is no need for cameras or other intermediaries.

This is the greatest charm of the meta-universe, and it is also the reason why I hope it can rapidly develop into surrealism. By that time, all the space in the future, we can freely enter, this is called."I am with God.".

By that time,The video dies, the documentary dies, and they all become cultural heritage..

　

Documentary is not "filming behind"

Houlang filmSister Xiaoyan’s identity has changed, from a person who was photographed to a person who picked up the camera.

　

Xu Tong: Yes, that’s right. Behind me (filming), there is another person behind her (filming). We always have so many machines at the scene, which are staggered back and forth, which is very interesting.

Tang Xiaoyan producer and photographer

　

Houlang filmWhat’s your identity when you come to the Minute International Short Film Festival?

　

Xu Tong: They set up an art committee, and I am one of them.

I think this idea is still rare, and it is usually the judges. For example, these judges are in this session, and others may be in the next session.

However, the establishment of the Art Committee in the Minute International Short Film Festival hopes to be fixed, that is, if members do not resign, they will always be there. Moreover, the Arts Committee can engage many people, with the purpose of crossing, enriching and diversifying, so that not all of them are filming, not all of them are filming documentaries.

I also often attend film festivals and am constantly evaluated by others. I always feel that some film festivals are really dominated and influenced by the interests of individual judges, which will affect the richness of the final works. There may be many more interesting and diverse things, such as strong expression of social reality.

In fact, my film is to strongly express the reality, but I am particularly cautious and alert to this, which is just one of the ways to express the director’s feelings.

　

Houlang filmIn this process, is there anything that makes you feel refreshed?

　

Xu Tong: I heard something, but I didn’t see it. I can only draw conclusions about what I saw. At present, among the more than 100 short films I have seen, there is no documentary link.

This is also the reason why I am particularly eager to speak out everywhere now:Documentary is really more than just following, and following doesn’t mean following.

Now there is a low-level concept that "following the beat" means "following the beat".

Since the appearance of the character is always the back of the head, he doesn’t know how to take two more steps? Can’t you put the machine in front to shoot the face of the character?

Every interview should take a 45-degree face and a 30-degree face. Why didn’t we know we were going to shoot faces when we made a documentary? It’s been five or six minutes since the character appeared, and the audience still doesn’t know what he looks like.

"Nursing Home" shooting scene

Unless you deliberately create suspense for the audience, at the end of the whole film, he turns around and says, "Oh, so this man is blind", which is ok, right? Or this person is pockmarked, which is quite funny; It doesn’t matter if this person is a scar face.

But you can’t say that you never give a straight face. I am anxious when I see such a documentary. Because you shoot people, the face is the most basic.

　

Houlang film: Yes, that’s right. I just talked to Mr. Dong Bingfeng, and he inspired me a lot in two aspects.

First, he mentioned that the relationship between the audience, the creator and the work has changed greatly, that is, the privilege of the creator is gradually being taken away, becoming an equal relationship with the audience and even creating works together. This relationship will determine the changes in the form and presentation of works;

Secondly, he mentioned that in the post-epidemic era, the relationship between people and between people and the world, including the relationship between artistic creation and the present, is undergoing tremendous changes, which needs to be reflected in our creation accordingly, otherwise the creation is lagging behind.

"Nursing Home" shooting scene

　

Xu Tong: That’s right. Moreover, this relationship is not one-way, it is two-way or even multi-directional, or even parallel at the same time.

For example, if we play the same game in a common space of the meta-universe and understand it as a movie, we can change the script at any time, join new people at any time, form different teams at any time and interact with people around us in different ways.

Interaction is what you just said about equality, because we are in the meta-universe, just like we are in the real world, which is no longer a documentary, but a real scene.

It is no longer the concept of film, but a completely equal interaction, and it is not for whom to show, but the relationship between immersion and experience.

　

Houlang filmMinute International Short Film Festival provides a good space for dialogue: whether we go to see its various unit exhibitions or participate in forums, including other contents derived from it, it is also a kind of dialogue.

The participation of this kind of public dialogue is helpful for creators to open their eyes, update their creative language and update the content to be expressed. It is an inspiration, as well as for the audience.

When there are more and more creators, their works are advanced, novel, experimental, diverse and free, and they are happy as viewers, so they can choose their interested objects more freely.

　

Xu Tong: This summary is particularly good, which means that you have given it a meaning. That is to say, through the Minute international short film festival, you can get a kind ofstimulate. This kind of stimulation is particularly important because it is like what is happening in words.

For example, we are a movie now, we are people, we have seen so many movies, you have interviewed so many people, and participated in so many forums, which is a kind of stimulation to each other.

Another point is that in the current public discourse space, I am pessimistic, and of course it is also a reality, that is, it is shrinking day by day. In this context, such a film festival is particularly important.

Because public space will not expand by itself, but needs such activities to expand and create.

So I think I need to pay tribute to them, or I especially trust them, and I am willing to join them, so as to expand their freedom, so that more people can sit in the cinema or participate in the forum to feel the excitement, and their world view will be upgraded and updated.

Interview | Xiaoshu

Edit | Qing Yan

Composing | Juan

Planning | Houlang Film Editorial Department

Contact Us

Contribution | cooperation

houlangdianying@hinabook.com

Member | Film Course

Click below to read the original text.

Welcome to play and enjoy with me.

When an ordinary woman retaliates, she has to marry a noble family, fight against a concubine, and eventually become a mistress, and even win a world in business. This kind of "female story", which usually happens in the back house of a merchant family or an official family, is a typical house fight.

Zhai Dou Wen is one of the most important types of female online novels, and its originator is considered as A Dream of Red Mansions. Based on the uniqueness of China’s ancient living arrangement and the system of concubines, the novel of house fighting is a novel type with China characteristics.

This kind of novels mainly describe the struggle between ancient official women in the mansion, including the struggle between wives and concubines, sisters, sisters-in-law, mother-in-law and so on. Although some of them will involve the struggle in court or riff-raff, the main story takes place in the mansion of the ancient official class.

Nowadays, with the deepening of the process of literature film and television, house fighting is no longer the self-admiration of minority readers. After the "palace fighting style" in the film and television drama market gradually waned, "house fighting drama" began to rise in the wind.

From "Do you know whether it should be green, fat, red and thin" at the end of 2018 (hereinafter referred to as "Know No") to "Heart as Jade" which is being broadcasted now, the response is good, especially "Know No", with 300,000 people scoring a high score of 7.8, and the "house fighting drama" adapted from the net text was brought into everyone’s field of vision by themselves, and it was seen by the audience and recognized by the market.

From "Know No" to "A Heart as Beautiful as Jade", we can see that house fighting drama has formed some unique adaptation strategies and temperament on the basis of house fighting literature, which has also deepened the audience’s impression of house fighting drama to some extent. It can be seen that the IP adaptation momentum of Zhai Dou has started, so whether it can set off a new wave of "big women" in the film and television market may need to be put in the long run, from the demand of the film and television market and the characteristics of Zhai Dou Wen itself.

Since the new century, "Gong Dou Opera", which portrays the image of the heroine, has occupied more than half of costume dramas. From Empresses in the Palace to Story of Yanxi Palace and Ruyi’s Royal Love in the Palace, every high-heat Gong Dou work has been broadcast and later talked about by people, and it has also become the object of many subsequent Gong Dou operas.

However, as the story of Gongdou is gradually similar, the role setting tends to be faceless, and the relationship between characters falls into the "Marisu" mode of "all men love me and all women hurt me", "Gongdou Drama" has caused audience fatigue, and with the tightening of policies, it has become a difficult problem for all film and television practitioners where the costume drama and even the heroine drama will go.

So a wave of works found the fulcrum of "sweet pet" and began mass production of small sweet dramas in ancient costumes; The other wave narrowed the "palace fight" and began to turn to "house fight". Facts have proved that these two roads are right.

Although in a strict sense, "house fight" and "palace fight" still can’t escape the cultivation routine of the matriarch, for example, "Know No" tells a story of a young Buddhist girl growing up to be a mature and steady wise matriarch, but there are still essential differences and advantages between house fight drama and Empresses in the Palace’s other matriarch drama, and the audience is unfamiliar, novel and can resonate to some extent with the story world and elements presented by house fight drama.

In the eyes of pengxx01 and IP-Valuer, the characteristics and attractions of house fighting drama are as follows:

1. Family ties under "family culture" are more empathetic.

Compared with Gongdou Opera, the biggest difference of House Fighting Opera is that it places the location of the story in the home of a merchant family or an official family from the high wall in the backyard of a deep palace, and the different background settings also change the temperament and core of the story.

Because of the special scope of the protagonist’s activities, there is always a kind of "family ties" between the story characters of the house fighting drama, which leads to clues such as love, family ties and friendship, and the struggle between them is relatively mild, which rarely involves life and death.

In the thousands of years’ cultural inheritance of the Chinese nation, the ethical concept and collective consciousness in "family culture" are deeply imprinted in every Chinese’s heart. The film and television works from the perspective of family relations can always arouse the audience’s resonance and set off a wave of watching.

In Know No, the grandmother’s family is the eldest, and the children are different. How the protagonist handles the relationship between sisters and housewives, and how the father handles the relationship with his wife, concubine and children are all highlights, which are also the contradictions and conflicts in the drama. It can be said that in addition to "fighting", this kind of "emotional fetter" between relatives is the emotional tie of the audience.

In Jin Xin Si Yu, the short daily life of Xu Jia and his in-laws also contains the wisdom accumulation and simple philosophy of "family culture" in China traditional culture.

Most of the house fightsExpand around family ties, mixed in the struggle, it is both rare and memorable, which also brings us a little warmth and freshness after watching more hypocritical and vicious people set up palace dramas.

2. The temperament of "farming" leaves room for showing the whole picture of ancient life.

Judging from the house-fighting essays themselves, most of them have the temperament of "farming essays". The so-called farming essays, also known as short essays on parents, mainly describe the trivial things of small people’s parents, and pay more attention to highlighting details and psychological descriptions of characters.

In the process of film and television, this type of works can make contradictions and conflicts appear relaxed, have enough space to spread their feelings, complete the narrative, and be more pyrotechnic."Do you know" restores the life of the official family in the Song Dynasty in detail. For example, Mrs. Sheng invited the mother in the palace to teach the girl in the Sheng family the skills of "ordering tea, arranging flowers, burning incense and hanging pictures" to let the audience know the life interest of the official family in the Song Dynasty. In addition, etiquette details such as throwing a pot, taking a levy, betrothal gifts, throwing tiles to send spirits, etc. are also interspersed in the plot, showing rich ancient life customs.

The detailed description of ancient life, work and rest gives more room for film and television dramas to play, and it can also be self-contained because of its exquisite service.In the design of costume props for characters, Know No restores the style of the Song Dynasty as much as possible. No matter all kinds of clothes, architectural styles and indoor furnishings, they are simple without losing their beauty and full of fireworks. The story background of Jin Xin Si Yu is set in the Ming Dynasty, and the costumes, architecture and etiquette of the Ming Dynasty are also presented in a very elegant way, which forms a different aesthetic style of this work.

Some people may ask, are there really so many parents who like to watch it? The answer is yes.

Modern society is under great pressure, so many people gradually tend to be relaxed, happy and warm in their choice of novels and dramas, so as to release pressure and relax their nerves. At this time, the house fight drama series with farming temperament can just meet these needs. In the works, the life in Mi Chong, which most people can’t get in real life, is more enviable and yearning.

3, don’t take emotion as the first priority, "independent consciousness" runs through.

In the portrayal of female images, house fighting drama is also different from Mary Su Ju, represented by Empresses in the Palace’s treading on thin ice. In the ancient background of Mary Su Ju, love is the first motive force of the protagonist’s action, and the continuous success of the hostess is driven by love. The hostess is desperate for the man she loves and the love she values, even if she is only one of the wives.

However, in many novels of house fighting, the common women are the leading role, such as Raiders of Common Women, Do you know whether it should be green, fat, red and thin, It’s hard to do what you want, and The Survival Manual of Common Women, etc.They explicitly abandoned the view of "desperate for love" and thought that only by working hard and creating social value can women gain the respect and recognition of relatively equal in marriage.Therefore, in the film version of Know No, we see that Ming Lan once treated his own officials as an "owner" after marrying Gu Tingye. In Jin Xin Si Yu, we see that the wife needs to be in charge of the feedback and manage the finance, and take this as a symbol of status and real power.

Of course, the woman who combines intelligence and intelligence will eventually get the favor and love of the man, and even become the "only" of the man.However, house-fighting dramas show women’s career management and enterprising in a large space, and begin to emphasize the role of having a job in maintaining peace and happiness in marriage. Women need to have their own careers in order to maintain their dignity, which coincides with the independent consciousness of women in their feelings at present.

It can be seen that although there are not many works on the line and put on record at present, the house fighting drama still has market and potential. Of course, this also depends on the mature and accurate IP adaptation method and the escort of production, in order to produce works like "Know No". Based on this, Cook Xiaoxian and IP Value Officer recommend several IP works with adaptation potential for everyone.

Hou Fu has a daughter to be married

Author: Sakura Tong

Type of work: ancient costume romance

Keywords: family feud, inspirational

Word count: 850,000.

Benchmarking work: Do you know whether it should be green, fat, red and thin?

Work status: finished

Suggested adaptation: TV series

Synopsis of story:

Xie Chang ‘an, the second daughter of Rong ‘an Houfu, grew up with her grandmother in Fujian ancestral home, but because Xie Changning, the first sister who had an engagement, eloped with someone, she was forced to disguise herself as Xie Changning to replace the marriage.

Xiao Yu, a loyal son of Wangfu, should have unlimited scenery, but he is a fool with only a child’s mind.

An accident, let two people meet, Xie Changan also don’t know why, clearly he has become the appearance of Xie Changning, but he can always be recognized at a glance. Chang ‘an Chang ‘an, this name, even only Xiao Yucai will remember it in the future.

Just as Chang-an Xie was going to marry Prince Yan in the capacity of Chang-ning Xie, a crazy woman dressed in rags suddenly broke into the house, claiming to be a big miss Hou Fu and seemingly calm Rong ‘an Hou Fu, but in fact the tide was surging. ……

Biography of characters:

Xie Changan (female host):The second daughter of Rong ‘an Houfu, grew up with her grandmother in Fujian ancestral home, because her first sister Xie Changning eloped with someone and was recalled to Beijing, so she was allowed to take her place in marriage. Rational personality, decisive, uncompromising, martial arts, especially good at using swords, but not good at playing the piano and chess, strict with the servants, clear rewards and punishments, but a little soft-hearted in front of relatives.

Xiao Yu (male):The first son of the loyal prince, who was clever as ice and snow when he was young, was pushed off the rockery because of his extraordinary intelligence, and has been a child’s mind ever since. She is kind and innocent, naive but stubborn, and likes Xie Changan wholeheartedly. No matter what she becomes, she can be recognized at a glance. Later, he regained his sanity and became dark and affectionate after learning that Xie Changan really wanted to marry him.

Recommended reason:

1. The story of the novel is full of ups and downs, conflicts are constant and interesting.

The plot of the whole work is smooth, the plot development is logical, and the contradictions and conflicts are set reasonably, which has a good adaptation foundation. The novel takes the growth and love of the heroine Xie Chang ‘an as the main story line, and she is forbearing and unyielding in the face of an eccentric mother and a strong father. After being forced to change her face, her inner struggle and hatred; After being attracted by the object of marriage, she began to get lost again and was willing to live as "Xie Changning". However, when she found that no matter what she became, there was always someone who could recognize "Xie Changan", she finally found herself and recognized the reality.

2. The relationship between people is complex, and people have their own labels, which is highly recognizable.

Two sisters with the same face, one is heroic and spirited, and the other is feminine and gentle. Although their words and deeds can be imitated, the personality engraved in their bones will still be unconsciously revealed. In addition, the foolish and innocent male host in the early stage recovered his sanity and deep affection in the later stage, and brought his own setting that he could always recognize the female host at a glance regardless of her appearance; The second man has always maintained the posture of a handsome boy, and he is obsessed with the person he loves. Regardless of the past, he only wants to accompany her for life.

Through the emotional entanglements and family feuds between the four people, it shows the internal life of the ancient official family.

The promotion of ordinary women

Type: overhead, house fight, romance, sweet pet

Keynote: drama, relaxation,

Words in the full text: about 1.2 million.

Synopsis of story:

Cause:As a modern white-collar woman, Qin Si was inexplicably reborn in ancient times and became Shen Qingrong, the illegitimate daughter of the civil servant Shen Zejing. As soon as she was born, her mother died in childbirth, and soon the master and father of Fannie and Freddie passed away one after another. Privately, it was passed down as Sang Men Star by the servant, and it was gradually rejected by his father Shen Zejing. In just two years after crossing, I have tasted the warmth and coldness of the world. Shen Qingrong gradually adapted to the ancient life and began to plan the future development.

Development:Grandfather’s sister, nominally great-aunt, was given the gift of the emperor to leave the palace. My aunt has been in the palace for a long time, and her knees are empty. Shen Qingrong got this opportunity to become the granddaughter of Mrs. Gu, and finally lived a day when she no longer looked up and looked at people.

Turning point:Because of the palace fight, Mrs. Gu was involved in the dispute between the queen and the imperial concubine. The imperial concubine got in the way and wanted to marry Shen Qingrong to the state of Wei. After knowing Shen Qingrong’s life experience, Song Zhao also contributed to it. Shen Qingrong’s original marriage was abandoned because of an imperial edict. Involved in the dispute between the emperor and the queen, became a chess piece.

High tide:The emperor was fatuous and repeatedly attacked the Song Zhao family, provoking the Wei government to fight among itself. Seeing all this clearly, Shen Qingrong pretended to be crazy, dressed as a pig to eat tiger, while dealing with the intrigue and calculation of the three rooms in the face of the infighting between Mrs. Song Zhao and his concubines. Song Zhao became more and more popular with shenqing, and gradually gave birth to love. Shen Qingrong and Song Zhao, together, resolved the difficulties of the Apocalypse Emperor and helped Xiao Che, the son of the Queen, ascend to the throne. A palace change almost made two people experience life and death.

End:After three dynasties, Song Zhaogong retired and returned to Jinan with Shen Qingrong to live safely.

Biography of characters:

Lady-Shen Qingrong (Qin Si)

Character background: Modern white-collar workers inexplicably crossed into ancient times and became a little transparent and unloved official concubine. Before crossing, they did human resources work and liked to make goals and plans. After crossing, she quickly adapted to her new identity, and did not plan a road for her to be promoted according to her current situation. Cleverly get along with my sisters and cousins at home, and successfully join my aunt who has returned to her hometown, and get promoted steadily.

Character: Self-respect and self-love have a bottom line, smart and have a look, calm and rational, can afford to let go, and love and hate are clear. A little timid and slow.

Male host-Song Zhao

Character background: the eldest grandson of the Song family of Wei Guogong, the first military commander of Daliang. The family has gradually declined after three dynasties. In the twenty-second year of Zhengde, after the Song family assisted Xiao Shao in eliminating the demon, in exchange, the daughter of the Song family became the queen. After the emperor ascended the throne, he was afraid that the Song family would tear it apart with title and real power, which caused constant internal disputes in the Song family. The future of the Song family rests entirely on Song Zhao.

Character: Since childhood, he is kind and gentle, determined and courageous, likes reading, and has an excellent mind and never forgets anything. But as an adult, he became a mean, critical, womanly and enterprising dude. The dual split character of one foot in heaven and one foot in hell seems to be invisible through the fog. In fact, they are all keeping a low profile and working hard all the time.

Da Song Xiao Zhai Men

Title of the work: The Small House Gate in the Great Song Dynasty

Keywords:: ancient costume healing house fight company

Author: Shi Yin

Words: 270,000

About the author:

Shi Yin, member of Jiangsu Writers Association, signing writer of Jiangsu Writers Association and vice chairman of Suqian Writers Association.

Representative works: She has published novels Princess Buyi, Nine Copies, Maid’s Plan and Yipin Nvxiang, and won the first Jinding Literature and Art Award in Suqian. The Secret Records of Chang ‘an was adapted into a comic novel and won the third golden league Excellence Award of Mo Tie. The film and television copyright of the novel Fighting Girl with the theme of modern sports transformation has been hatched and adapted into a comic book.

Synopsis of story:

Shen Xun, the first son of Shenfu, was a prodigy, and he became famous as a teenager. Unfortunately, eight years ago, the incident in Shenfu (the woman was the daughter of the general of Nianfu) made his legs unable to walk, and a generation of favored children fell from then on. And eight years ago, the daughter of the General Nian, who had an engagement with him, cherished jade in Nian, and became an official slave because of the change of Nian government. Shen Xun went to great lengths to save her, connected Xiyu to the government, changed her name to Su Jin, and became a close-fitting girl. Su Jin also wanted to cure Shen Xun’s legs because Shen Xun’s legs were scrapped because of the government incident in 2006.

But Shen Xun’s legs were poisoned, and there is no good medicine in the world. Su Jin is good at medical skills and wants to fight poison with poison, so she goes to the old lady in Shenfu every month to ask for some exotic medicinal materials. The old lady in Shenfu was repeatedly stirred up by He Zhong Ling (daughter of He Shangshu), the wife of Shen Wenxuan, the adopted eldest son of Shenyang, and was repeatedly saved by Shen Xun. Unfortunately, an accident, the old lady lynched Su Jin after all, but she was saved by Shen Xun’s best friend He Yanmei. And Shen Xun finally agreed to the emperor’s request to re-enter the DPRK as an official in order to protect Sujin, and Sujin was married by the emperor. Shen Xun’s leg was cured by Su Jin, but Su Jin never saw him again.

　On the day of Su Jin’s wedding, Shen Xun had planned it long ago. Li Daitao was so stiff that he changed Su Jin, remained anonymous, and took Su Jin away from the rivers and lakes to be a pair of idle mandarin ducks.

Biography of characters:

Shen Xun (male):A favored son of heaven, he was a brilliant young man, but because of an accident, his legs were abolished, so he closed himself at home and tried to protect her after her accident. Although the female host is a handmaid, he dotes on her from beginning to end and wants to protect her until she dies. Later, in order to protect the hostess, she re-entered the DPRK as an official and promised not to see her again. Her legs were cured by the hostess, pretending not to see her on the surface, but planning to take her to the Jianghu behind her back.

Su Jin:The daughter of the general in 2000 cherished jade, was smart and exquisite, and loved Shen Xun wholeheartedly. Because of the family incident in 2000, she was demoted to an official slave. After being saved by Shen Xun, he just wanted to cure his leg, so he was made difficult by the old lady Shen Fu, He Zhong Ling and others, and almost died. Later, he was married to He Yanmei by the emperor, but Shen Xun secretly planned to take her away from home.

He Yanmei:Shen Xun’s best friend, the grandson of He Ge, the assistant minister of the dynasty, was brilliant and unruly. Although ups and downs in the whirlpool of power, there is still a beloved person in my heart, even if the beloved person is a prostitute. He had a good relationship with Shen Xun and solved a lot of troubles for Shen Xun.

Advantages of adaptation:

1. I wish to win one heart, and the white head is not separated, and the single-minded love is warm and cured.

Different from many costume romance dramas and house fighting dramas, the male host of "Da Song Xiao Zhai Men" has only one female host in his heart from beginning to end. There is no deliberately arranged emotional third party, and there is no deliberately set misunderstanding and estrangement between the two. In the story, the male host has always been in the same mind, and the male host indulges the female host, and the female host also firmly pays for the male host. It is a story of mutual recognition and mutual protection. Although the plot twists and turns, it is very warm and healing.

2. Use the most relaxed words to describe the undercurrent in the house.

There is not only a thin love line in the story, but also a very detailed expression in the direction of family struggle for power, including the change of the government in the year, the ousting of He Shangshu, the regaining of Shen family’s favor, and the marriage of He Liu, all of which string up the undercurrent of the previous dynasty, with both men fighting for each other and women’s overt and covert arrows. This is a story that conveys the truth of treating everyone like cooking a little fresh food.

3. The fleshy characters are real and three-dimensional.

Shen Xun, the hero of the story, is a favored son of heaven, but at the most glorious time, his legs were disabled, so he had to stay at home. He was full of talent, but he could only stop at the mansion, but he didn’t give up on himself, and he remained a gentleman like jade.

Su Jin, the hostess, was originally the general’s daughter, but after she became a handmaid, she didn’t belittle herself. She advanced and retreated properly, and there was still light in her heart.

Farmer’s sweet wife

Farmer’s sweet wife

Title of the work: Peasant Little Sweet Wife

Keywords: ancient costume, peasant marriage, family business

Author: Yuan Yiyi

Words: 2.63 million

The author introduces:

Yuan Yiyi, a full-time post-80s writer who loves fantasy, has a mature style and delicate brushwork.

He is good at creating fantasy and farming, and is good at creating tense plots by paving the way. The story is ups and downs, the characters are full and tense, and the sense of substitution is very strong. Masterpiece: "Farmer’s Little Sweet Wife: My belly is black, and I don’t stop loving you".

Synopsis of story:

Xue Shuangshuang crossed to the peasant girl in the second room of Xue Family in Baixi Village. There are honest father, cowardly mother, little brother Xiao Douding and a bunch of best relatives at home. In order to "xianggong" children hot kang, Xue Shuangshuang spelled it.

Biography of characters:

Xue Shuangshuang:She has a correct outlook on life, values and world outlook, and leads her family to make a fortune with the help of the knowledge of past lives. She is kind but not weak, shows no mercy to the enemy, guards her family and gains beautiful love.

Jiang Zhan (Lin Bai):Houfu Dizi accidentally lived in a small mountain village, and was branded as hard-working and punishing others. He lived alone in a cave, and the villagers avoided it. He has a clear sense of love and hate, always adheres to his own code of conduct, is willing to be kind to others, and will never compromise with the wicked. Finally, he finds his biological parents and starts a happy and beautiful new life with his mistress.

Highlight analysis:

1, the rhythm is bright, the plot is full, and it is relaxed and humorous.

Describing the plot with a joyful atmosphere, with a strong sense of daily life, revealing the fate of the characters and their life experiences is extremely dramatic and gives people a strong sense of impact.

2, the person set is distinct and prominent, which is very iconic and recognizable.

Create characters in a simple and direct way, and the characteristics of characters are highly labeled. Ingeniously transforming the public slots into characters can arouse strong resonance among the audience and strive to become the next hot spot after Fan Ma Su Ma Xu Huan Mountain.

3. The main line is clear and concise, and the plot is reversed with suspense to attract the audience’s enthusiasm for drama.

Based on the marriage and family life of a young couple with "bad style", through two scenes of outsiders’ eyes and real days, a light comedy will be performed, even if it is drowned by cold-eyed ridicule, it will be turned over and hit hard by its own efforts.

4, strong sense of daily life, showing the positive, diligent and sunny attitude of little people.

From the perspective of the hard-working little life of farmers, focusing on the shortcomings of parents, it depicts a warm image of smoke curling up and fireworks on earth.

The doctor’s first daughter

Type: Crossing, Antique, Suspense

Published: novels, comics

Status: The novel is finished and the comic has been serialized to the 55th sentence.

Direction: TV series and online drama.

About the author:

Yang XVI, who used the pen name Yang Jiani. Start the serial career of online novels with two qing wear novels, Yong and Gan, and squeeze the height of online writers with three series of "Special Agent Imperial Princess". Readers call it "writing a fight is accurate and magnificent; Write that love is beautiful, moving and penetrating. "

Synopsis of story:

In the 21st century, Feng Yuheng, a master of both Chinese and Western medicine and a special medical officer in the marine forces, and duang crossed into the first daughter of Feng family in Dashun Dynasty. But my father doesn’t kiss me, my grandmother doesn’t love me, my mother is weak, my younger brother is young, and my sisters are more ruthless than each other. Through rebirth, I can never be as timid as the original owner! Fight me? A whip makes you look for teeth everywhere! Fight me? A scalpel cuts you to pieces! Playing dirty? A needle goes down and stabs you! Kill me? Scratch your heart with one paw! The weak woman who can be bullied by everyone turned into a beacon of Dashun Dynasty, opened a hospital with the emperor, and won all the people’s hearts and wealth in the world, but what about the engagement of the damn prince? And this crippled face. What did you say?

Biography of characters:

Feng Yuheng (female host):In the 21st century, he is a special medical officer in the marine forces, proficient in Chinese and Western medicine, martial arts and archery. Once she crossed, she became the second young lady of Dashun’s Zuoxiangfu. Her temperament is calm and calm, her face is delicate and pleasant, and her eyes are deep and smart, just like those of an ancient well.

She is straightforward, never dragging her feet, being kind to others, taking revenge, and never being stingy with retaliation against the enemy. Not only did it raise the prestige of the Phoenix House, but it also set up its own army, and joined hands with the male master to fight the world, and partnered with the emperor to open yiguang, so as to soothe the hearts of the people and win all the money in the world.

Xuan Tianming (male):Nine princes, royal kings and Zhenyuan generals in Dashun Dynasty. Being framed and injured in both legs and appearance, he spent a long time in a wheelchair and wearing a gold mask. After that, it gradually improved under the treatment of Feng Yuheng.

He met Feng Yu-hang in the mountains and fell in love at first sight. In others’ eyes, the mysterious banquet of the devil is absolutely popular with Feng Yu-hang, and his daughter-in-law is always right. Even if it is wrong, it is someone else’s fault. Whoever dares to mess with my daughter-in-law, I’ll play hard with anyone, and you won’t be able to find it with a whip.

Advantages of adaptation:

1. The First Daughter of the Imperial Doctor integrates elements such as crossing, house fighting, palace fighting, female strength, fantasy and romance. Crossing has always been hot, and palace fighting and strong women are popular at present. I believe that "The Doctor’s Maid" composed of these elements will win the favor of the audience.

2, "The Doctor’s First Daughter" is a classic work of Yang Sixteen, with precise fighting, great momentum, beautiful and touching love.

3, "The Doctor’s Maid" is exciting in the whole process, and the man is fond of the woman in the end. Good people are absolutely good, bad people are absolutely bad, good ends well, and evil has consequences. It can be called a decompression artifact for young women.

4. The heroine in The Doctor’s Maid is frank, kind, rational and capable, and spreads positive energy.

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　　On May 28th, the Central Radio and Television General Station and the People’s Government of Hebei Province held a signing ceremony for deepening the strategic cooperation framework agreement, and the Hebei General Station of the Central Radio and Television General Station was also unveiled.

　　Shen Haixiong, Vice Minister Publicity Department of the Communist Party of China, Director and Editor-in-Chief of the Central Radio and Television General Station, and Wang Dongfeng, Secretary of the Hebei Provincial Party Committee and Director of the Standing Committee of the Provincial People’s Congress attended and jointly unveiled the Hebei General Station of the Central Radio and Television General Station. Xu Qin, Deputy Secretary of Hebei Provincial Party Committee and Governor, attended the ceremony. Jiang Xiwei, deputy director of the Central Radio and Television General Station, and Yuan Tongli, member of the Standing Committee of Hebei Provincial Party Committee and executive vice governor, respectively signed a strategic cooperation framework agreement on behalf of both parties.

　　△ Vice Minister Publicity Department of the Communist Party of China, Director and Editor-in-Chief of the Central Radio and Television General Station Shen Haixiong and Wang Dongfeng, Secretary of the Hebei Provincial Party Committee and Director of the Standing Committee of the Provincial People’s Congress, unveiled the Hebei General Station of the General Station.

　　△ Jiang Xiwei, deputy director of the Central Radio and Television General Station, signed a contract with Yuan Tongli, member of the Standing Committee of Hebei Provincial Party Committee and executive deputy governor, on behalf of both parties.

　　Gao Zhili, member of the Standing Committee of Hebei Provincial Party Committee and Secretary-General, Zhang Zheng, member of the Standing Committee of Hebei Provincial Party Committee and Minister of Propaganda Department, Xue Jijun and Wang Xiaozhen, members of the editorial board of the Central Radio and Television General Station, and Dong Weimin, chief accountant, attended the event.

　　△ Speech by Vice Minister Publicity Department of the Communist Party of China, Director and Editor-in-Chief of Central Radio and Television General Station Shen Haixiong

　　Shen Haixiong said in his speech that Hebei is an important place of capital city, a political "moat", a land of revolution and heroes, and that "New China comes from here" and "the road to catch the exam" sets sail from here. All along, the Central Radio and Television General Station has maintained a good cooperative relationship with the Hebei Provincial Party Committee and the provincial government. Signing a framework agreement for deepening strategic cooperation is a powerful measure for the General Station to thoroughly study and implement the Supreme Leader’s Socialism with Chinese characteristics Thought in the new era, marking a new chapter in strategic cooperation between the General Station and Hebei.

　　Shen Haixiong pointed out that the Supreme Leader’s general secretary knew deeply about Hebei and was eager to love it. During his work in Zhengding, Hebei Province, he left valuable ideological wealth, spiritual wealth and practical achievements. Since the 18th National Congress of the Communist Party of China, the General Secretary has visited Hebei eight times and made a series of important instructions, which have drawn a grand blueprint and provided fundamental follow-up for the high-quality economic and social development of Hebei in the new era. The main station will give full play to the important role of the main force of propaganda and reporting and ballast stone, vividly tell the story of Hebei in the new era, and actively contribute to building a strong economic province and beautiful Hebei; Dig deep into the rich cultural resources and red resources of Yanzhao, carry forward Chinese culture and inherit red genes; Further deepen the strategic cooperation with Hebei, solidly promote the effectiveness of major projects, and jointly write a new chapter in high-quality development.

　　△ Speech by Wang Dongfeng, Secretary of Hebei Provincial Party Committee and Director of the Standing Committee of Provincial People’s Congress

　　In his speech, Wang Dongfeng said that the Central Radio and Television General Station is an important propaganda position of the party, with strong communication, credibility and influence. For a long time, the Central Radio and Television General Station attached great importance to and supported Hebei, and launched a series of in-depth reports, which comprehensively showed the ever-changing changes and fruitful achievements of reform and development in Yanzhao, creating a good political atmosphere, public opinion atmosphere and social atmosphere for Hebei to do well the "three major events", fight the three tough battles, and promote innovation, development, green development and high-quality development.

　　Wang Dongfeng pointed out that Hebei is currently in a period of historical window and strategic opportunity. The coordinated development of Beijing-Tianjin-Hebei, the planning and construction of xiong’an new area and the preparations for the Beijing Winter Olympics, which were personally planned and promoted by the Supreme Leader General Secretary, provided a golden opportunity for Hebei’s development. It is hoped that the two sides will take the opportunity of signing the framework agreement on deepening strategic cooperation, focus on promoting major national strategies, carrying out study and education on party history, developing and expanding cultural industries, and improving the level of propaganda work, so as to further deepen pragmatic cooperation and strive to achieve new and greater results. All localities and departments in the province should do their best to ensure the support services and create a good environment for the work of the Central Radio and Television General Station and the Hebei Main Station in Hebei.

　　According to the agreement, the two sides will thoroughly implement major national strategies such as the coordinated development of Beijing, Tianjin and Hebei, and continue to carry out all-round, multi-channel and in-depth strategic cooperation in the fields of theme propaganda, media activities, digital economy, scientific and technological research and development, cultural tourism projects, and cultural and creative industries. Solidly promote key projects such as Zhuozhou Cultural Industry Comprehensive Project, Beijing Winter Olympics cooperation, serving the development of xiong’an new area, and "Brand Power Project" to help Hebei brand building. Work together to write a new chapter of win-win cooperation and actively help build a new development pattern.

　　Responsible comrades of the relevant departments of the Central Radio and Television General Station, relevant responsible persons of Hebei Province and Baoding City, the institutions of the central news unit in Hebei Province and the heads of news media in Hebei Province attended the event. (Photography Liao Jiangheng)

Adam Curtis’s career feels like a series of glitches at the heart of the BBC. His films are completely separated from the output of this channel. The first episode of his series "The Trap" (2007) covers the rise of game theory under the paranoia during the Cold War. It starts with a chilling title card ("Humans will always betray you") and is broadcast directly on BBC 2 after Crufts—, an extension of an international dog beauty contest.

Adam Curtis

Now, however, Curtis’s films can be obtained democratically on the Internet and are wildly welcomed by young people. They are documentaries on the surface, but his method is closer to poetry or video art than traditional narrative TV programs. Curtis also carefully avoided the stipulation of political labels, sometimes criticized the instability of capitalism with revolutionary Marxism, and sometimes he was a liberal technical utopian. However, in his infectious soundtrack and baroque visual style, Curtis is consistent with unwavering romanticism. He wants the audience to have a feeling-not simply explain the world.

I can’t get you out of my mind poster

Curtis’s new series "Can’t Get You Out of My Head" is a real epic. This six-part eight-hour series depicts the ups and downs of society from collectivism to individualism. His unrestricted access to BBC archives gave each episode an all-powerful eye, which Curtis used to locate and explain power, and the change of hands of power uprooted the world.

It all started with a sentence by David Gray Bo, using Curtis’s trademark all-capital Helvetica bold font-"The most secret truth in the world is that it is made by us and can be easily made into different shapes". With the development of the plot, the series tries to understand why this ultimate truth is really hidden, not dazzling. Through each episode (the last episode weighs 120 minutes), Curtis explores this issue emotionally through personal stories that try to change the modern world (from Russian dissident Edward Limonov to Tupac’s mother and former Panther member Afeni Shakur).

In the interview, Curtis told jacobin magazine about his new drama series, populist left wing, conspiracy theory and his love for music.

You subtitled this new series: "Emotional History of the Modern World". Why "emotion"?

AC：I want to explain why we are so anxious about the future. We know that we are dissatisfied with what we have today. But no one is willing to propose an alternative. I want to explain this paralysis through the rise of individualism, which makes people feel anxious and lonely, and individualism was supposed to liberate them.

In our personal time, our feelings are placed at the center, and we are taught that our inner feelings are the most important. In fact, consumerism also responds to this. Therefore, I want to describe a history of "emotion", because I am interested in the idea that your feelings are related to your system-this is really a forgotten idea.

Your previous series of works followed the narrative convention to some extent, but this series feels more like a collage, and the stories are intertwined in a nonlinear way. Why did you choose to do this?

AC：Part of the reason is that I am restless and I want to try something different. But mainly because I want to do something that feels more like a novel, a multi-part novel, just like what they wrote in the 19th century.

One of the people you pay attention to is Abu Zubaydah, whose brain was reduced to a random image by the torture of the CIA. This series feels a bit like being told through Abu Zubeda’s brain.

In fact, at the end of the film, I had a narrator who said, "We have all become like Abu Zubaida’s brain". But I deleted it because I thought it was too hard and I should let people see it for themselves. And I was right-you did see it. However, the problem about Zubaida is not torture, but that he was stuck in his brain by a shell fragment in 1991 and had such an effect that his experience is no longer meaningful. I think we have all become like this.

This series seems to be deliberately chaotic and disorderly, but history is also chaotic and disorderly. Is there a conflict between making a coherent narrative film and keeping a chaotic description of history?

AC：I want to do both. I want to describe the feeling of living in history in the era of individualism, where you have to rely on yourself and try to make all this meaningful.

You described this personal era, which flourished after World War II and is said to have liberated society, but now you say it is declining and it is no longer interesting as an individual. Can the genie be put back in the bottle?

AC：No-you can’t put it back. People are quite afraid of large-scale and twentieth-century collective efforts to change the world, which often leads to terror. The personal era comes from mass democracy as a response to mass democracy. But it actually leads to individuals who are deprived of power. They all want something different, but they don’t know how to get it. But I think another thing will appear soon, a new kind of politics, which allows you to be an expressive individual, but it is also part of something bigger than yourself. If we can regain control of the Internet from venture capital funds, then this is a good start.

You often talk about the shift from politics to culture, where radicalism just sits there and makes a lot of noise. Well, I am deeply suspicious of radicalism in art. With the rise of Thatcher and Reagan in the 1980s, leftists and liberals retreated to culture, thinking that they could change things from there. But things have not changed. I believe that the function of art is to express its times beautifully. Interestingly, it now beautifully expresses the paralysis of our time. Culture is a comfort blanket for radicals to cling to, so that they can avoid the terrible fact that they have no answer.

Has Covid-19 uprooted power?

AC：Covid-19 showed quite cruelly that the closer you are to power, the less likely you are to die. This understanding is shocking, and it will be as profound as the financial crisis in 2008.

Bernie sanders-and Britain’s jeremy corbyn-led the populist left-wing movement, trying to awaken the traditional collectivism, but they all failed. Why do you think that is?

AC：You must distinguish between the two. Sanders is likely to win the election in 2016. I remember what he said was almost exactly the same as Trump-talking to the white working class and how they were betrayed by the think tank in Washington. Although, in the primary election in 2020, his language has changed. He gave up talking to people that liberals are very afraid of.

I really don’t know Corbin well enough, but I remember talking to Labour activists during the 2019 election. What shocked me was their contempt for Brexit voters. I didn’t vote for Brexit, but I understand why people do it-not just because of anger, but because it is a tactical way to declare your alienation from the mainstream politics managed by technocrats. I know that many gin-drinking colonels in Surrey also voted for Brexit, but the elephant in the room is that all these former Labour voters have suddenly become stupid in the eyes of liberal metropolises.

You can’t deny these people, you must take them seriously. You don’t have to agree with them or believe that their racism is correct, but you must take them seriously and understand their feelings. The same is true in the United States, where Trump supporters are dismissed as being fooled by Putin, leaving them in a crumbling infrastructure and a booming opioid epidemic.

It’s interesting that you mentioned Putin. In this series, you compare the story of "TongRumen" with anonymous Q as a different way to react to the deadlock of Trump’s failed promise.

AC：When you run out of stories-that’s when you get conspiracy theories. There are many people who can’t face up to what is happening. People will not tell how Trump was chosen by Americans instead of Russia, or that he was actually very useless and was not blocked by pedophiles Satan in deep countries. I think these conspiracy theories are suitable for The New York Times, because they increase their reading, and also for intelligence agencies, because they are suddenly known as part of the resistance against Trump.

Back to collectivism, what about the society envisioned by radical Islamism?

AC：What we westerners don’t understand is that modern Islamic radicalism, which began in the late 1950s, was completely unable to bring the masses into it by the mid-1990s-maybe not in Iran, but it has completely failed in the Sunni world. The attack on the World Trade Center was not the result of a powerful movement, but the lashing out of a failed movement. The Sunni masses had not stood up at that time-not in Egypt, nor in Algeria.

But these tendencies are collectivist in thought?

AC：The question of our time is this-how do you manage a world of millions of individuals, millions of screaming pigs-how do you get them together? There is a saying that it is not the politicians’ fault that we got this withered managerialism-it is just a way to deal with millions of pigs desperately. We are little monsters. Seriously, we are.

I want to ask you a question about ghosts. M.R. James has a story called "Oh, whistle, I will come to you, my boy", and you are influenced.

AC：The inscription on the whistle that the hero of that story found on the beach-"What’s coming?" (What is this that is coming)-almost became the title of this series. But this is not a stupid thing. M.R. James wrote these stories in the 1890s, which I think is a similar era to the present. The British Empire is collapsing. With this feeling of fear and guilt, something will come back to haunt you. I think the United States has felt this way since the Vietnam War.

It’s a bit like what Mark Fisher wrote-the ghost of the past came back to cover the future.

AC：I know Mark. We used to meet in a cafe next to Liverpool Street Station and have a long talk about all this. We appeared on the stage together in Berlin, I think. But back to this idea about ghosts, I use certain characters, because they have the idea that you can force ghosts out of people’s minds and create a new society. But they forget that the most important thing is the ghost in their own heads.

The same is true of Brexit, who are troubled by a fictional and idealized vision of British history. Dominic Cummings (Boris Johnson’s former adviser, who is considered to be the mastermind of the Brexit movement) entered Britain through nationalism, which is something that liberals are very afraid of.

This is why Edward Limonov’s National Bolshevik Party is so symbolic in Russia.

AC：Exactly. Limonov is not a very nice person, but he did put forward an interesting point, that is, unless the left wing either uses nationalism or creates a stronger new myth, they will not have enough people on their side.

The last message in the series is likely to be quite promising. It says that if we can become more confident, then we can create a new vision for the future. This makes me feel strange, because it sounds like self-help, and you seem to despise this kind of thing?

AC：No, it’s the opposite of self-help. It is "stop imagining what you can do to yourself and start imagining what we can do to change the world". The starting point of self-help is that you can transform society by transforming yourself, but what we end up with is a society full of anxiety. I hope people can get out of this matter of self-help. That’s why I quoted David Gray Bo.

Your film has a very wide audience and many disgruntled young people are watching it. What do you want to say to a confused and depressed 16-year-old boy?

AC：Nothing. The last thing they want is for me to tell them what to do. I know I have such an audience, but I don’t know why. When I was filming All Watched Over by Machines of Loving Grace, I heard that children broke into the house occupied by Croydon (a town in South London) and held an all-night party to watch my movie. It was strange, and then I realized that I had broken through.

Poster "Everything is guarded by the grace machine of love"

Your movies can also be silly.

AC：Yes, I can be silly. But you must keep a straight face. You can’t let people know that you are trying to be funny, because it’s not funny. But back to the original question, there are also old people who like my work. The people who never seem to like it are political journalists. They are not interested at all. They can’t understand why I put music in it.

It’s time for us to talk about music. Why do you choose tracks instead of using original soundtracks?

AC：Basically, I want to create an emotion. But this is not cynicism. It’s always my favorite music. For a while, I decided to end the series with Zombie by the cranberry band, because it seemed appropriate. But the terrible fact is that I don’t like that song. Just before this series was about to air, I was lying in bed thinking about this song and couldn’t sleep. Finally, I replaced it with Til I Gain Control Again by This Mortal Coil.

Why did you choose this?

AC: Because it makes me cry.

Is music the first? Have you ever changed what you want to write because you want to use a song?

AC: Not in general. I tend to use images. I will use a piece of music to oppose it, and then sometimes I will adjust something to suit this song. This is an organic process, but sometimes they just work. In "Lake of Bitterness" (a film about America and Islam made by Curtis in 2015), there is a david bowie song called "The Bewlay Brothers". I put it in and it was a success. I’m never literal. You see, I’m emotional. Another example is that in the first movie of the new series, I used the German version of Marlene Dietrich’s Where Have All the Flowers Gone, and at first I used the version sung by Donovan.

Bitter Lake

You also used Burial’s Forgive, who is a frequent visitor to your soundtrack.

AC：Yes, that song is very cute. But "Come Down to Us" is the best one. It is one of the great works of our time. But there are many Burial songs that I don’t like, because they are too dubstep.

I like that you use The Specials’ Do Nothing. That song is cheerful, but it is also quite nihilistic. The same is true of Sex Pistols’s Who Killed Bambi from The Great Rock ‘n’ Roll Swindle.

AC：I want to put skinheads in. Look. I always thought skinheads were said badly. I used to be a skinhead when I was young, because I like reggae and ragga (reggae branch, combined with rap) music. Skinheads are ambiguous figures, and I am attracted by ambiguous figures.

To tell the truth, a lot of this music, it sounds like "Adam Curtis Music".

AC：[Laughter] Well, I think we all have certainty and uncertainty about our personality. I’m really not sure about my writing style. I’m really not good at writing, and I’m troubled by it. But I’m very sure about my taste in music.

Can you tell me something about your editing process? The image in my mind is that you-a person-are sitting in front of a huge control panel and gradually accumulating copyright invoices. Is this real life?

AC：Corresponding to what?

Well, as long as you snap your fingers, you will have a team of student volunteers to browse the BBC files for you. But you won’t do it.

AC：What’s the point? If you draw my career, it is completely connected with the digitalization of everything. When you start digitizing images, it’s easy to rotate them quickly. That’s what I’ve been doing all my life. I have thousands of hours of videos on many hard drives.

How do you arrange your hard disk? Are they marked with things like "dark train shots" or "city view at night"?

AC：[Laughs] No. I read one day that Amazon’s execution center randomly stores items because it is more efficient. My stuff is also very random. I have a coding system, but I also have a memory of visual patterns, so I always know where everything is. My main rule is that if it makes me cry or want to dance, then it works.

Back to your use of language, what I like is how you speak in these grand ways-you put the world in epic historical terms.

AC：Do you still remember Marianne Williamson (American writer) in the primary election of American Democratic Party? I like her because she speaks in epic historical terms. Because of this, I have a lot of trouble with my American liberal friends. Back to M.R. James and "What’s coming?" This is coming. Some people put this uncertainty and confusion on a big and historic level. Britain needs the same thing. I mean, now Labour’s argument makes me want to cry.

Why is this?

AC：Because it is speaking in utilitarian terms set by the think tank. Political needs are exciting. It can be exciting because it can tell a powerful story. We are eager for this kind of story and this kind of excitement.

Yes, there are indeed many revolutionary attempts based on grand ideas that have led to terrible results. This is an indisputable fact, and it has penetrated into people’s consciousness. But it is also true that many other things based on grand ideas and revolutions have led to amazing things: for example, the United States, or mass democracy, or the welfare state. These are all born out of grand ideas. So, we are in this pessimistic world, and we seize those failed examples and say that this means that you can never change the world. But what I want to say by quoting David Gray Bo is: Yes, we all created bad things, but we also created great things.

Original link: https://jacobinmag.com/2021/03/Adam-Curtis-BBC-cant-get-you-out-of-my-head-interview.